After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.
The Museum der Moderne Salzburg, Mönchsberg is picturesquely situated high above the rooftops of the old town of Salzburg and offers new, contemporary architecture for large-scale exhibitions and presentations of the museum’s own holdings an international context. The museum offers an ideal setting for presentations of the museum’s own comprehensive collection and large-scale temporary exhibitions of international contemporary art. The Museum der Moderne Salzburg, Rupertinum, a baroque town palace built by the archbishops, located in the immediate vicinity of Festival Hall and Cathedral precinct, has been adapted for the presentation of modern art. The two buildings of the Museum der Moderne Salzburg offer 3.000 m2 of exhibition space for thematic and monographic exhibitions of 20th and 21st centry art, as well as presentations of graphics and photography.
The idea for the foundation of a collection and museum of modern art goes back to an initiative of Salzburg art dealer Friedrich Welz, who donated a large part of his private collection to the province of Salzburg. Owing to his personal friendship with Oskar Kokoschka the museum also received a great number of works from the great Austrian expressionist.
In 1983 the Rupertinum was opened as Salzburg Museum of Modern Art and Graphic Collection. The museum’s founding director Otto Breicha also integrated the Austrian Photographic Gallery into the museum, which has become the most important collection of contemporary Austrian photography.
When the Museum der Moderne Salzburg on Mönchsberg was opened in October 2004, the former Rupertinum Collection of the province of Salzburg was integrated into the new concept of the Museum der Moderne Salzburg.
With the tenfold increase of the original exhibition space and the organisation of varying art exhibitions in both buildings, the museum’s aims, aspirations and acquisition activity have achieved international standards. A local museum in an elegant old town house with fine exhibitions, mostly of graphic works of Classic Modernism, has been transformed into an internationally renowned institution with spacious rooms and facilities for large-scale works, installations, media art and representative surveys of the museum’s collection.