MSU
Museum of Contemporary Art Zagreb

The Museum of Contemporary Art Zagreb is a living place of creation, display, interpretation, and preservation of contemporary art in all its forms. Its goal is to encourage and uphold the understanding of contemporary art through professional, innovative, and educative usage of exhibitions and collections, thus enabling different groups of visitors to learn, be creative, and get a unique experience. As a multi-program institution it mediates heritage and the contemporary scene, reaching from visual to performing and film art, thus making it an active and critical part of our community.

The Museum of Contemporary Art primarily attempts to be a public and autonomous venue where the categories of social engagement, responsibility, and equal opportunities for everybody are tested and examined on daily basis. Let us question that which has been already achieved through direct communication with artists and the public, through our respect for their experience, so that we have been able to change and gain strength.

Sean Scully
MSU
Museum of Contemporary Art Zagreb

The Museum of Contemporary Art Zagreb is a living place of creation, display, interpretation, and preservation of contemporary art in all its forms. Its goal is to encourage and uphold the understanding of contemporary art through professional, innovative, and educative usage of exhibitions and collections, thus enabling different groups of visitors to learn, be creative, and get a unique experience. As a multi-program institution it mediates heritage and the contemporary scene, reaching from visual to performing and film art, thus making it an active and critical part of our community.

The Museum of Contemporary Art primarily attempts to be a public and autonomous venue where the categories of social engagement, responsibility, and equal opportunities for everybody are tested and examined on daily basis. Let us question that which has been already achieved through direct communication with artists and the public, through our respect for their experience, so that we have been able to change and gain strength.

Sean Scully
  • Adraint Khadafhi Bereal: The Black Yearbook
    Publication
    4 Color Books / Penguin Random House
    International
    When photographer Adraint Bereal graduated from the University of Texas, he self-published an impressive volume of portraits, personal statements, and interviews that explored UT’s campus culture and offered an intimate look at the lives of Black students matriculating within a majority white space. Bereal’s work was inspired by his first photo exhibition at the George Washington Carver Museum in Austin, entitled 1.7, that unearthed the experiences of the 925 Black men that made up just 1.7% of UT’s total 52,000 student body. (more…)
  • Tongues of Fire
    Feb 22 – May 5, 2024
    Kunsthall Trondheim
    Trondheim, Norway
    In response to our home building’s former life as a fire station, and Trondheim’s history as a city shaped by blazes whose traces are still present in its design today, this group exhibition brings together artists who have been deeply touched and transformed through the challenges manifest in the burnt and burning. Hailing from diverse generations and backgrounds, these individuals converge to explore how flames have served as agents of change across time and space. (more…)