Teresa Pagowska
Muzeum Sztuki
Lodz, Poland

Muzeum Sztuki in Łódź is one of the oldest museums of modern art in the world. The Museum’s connections with the avant-garde date back to the turn of the 1920s and 1930s, when a group of radical artists from the “a.r.” group began gathering works of the most important artists of the day for the Museum. The action met with great interest of European avant-garde, making many outstanding artists, such as Fernand Leger, Max Ernst, Hans Arp and Kurt Schwitters to donate their works to the collection. The fact made the collection of the “a.r.” group a unique symbol of solidarity and cooperation of the avant-garde. The International Modern Art. Collection of the “a.r.” group, representing the main directions of art. such as Cubism, Futurism, Constructivism, Purism, Neoplasticism and Surrealism was open to public on 15th February 1931. The collection has since been consistently expanded by including international modern and contemporary artworks. Due to this fact Muzeum Sztuki is now the only museum in Poland with such extensive collection of world art of the 20th and 21st century.

Our mission at the Muzeum Sztuki consists in providing an appropriate environment for contemporary audiences to interact with the heritage of past and present generations of artists which can inspire them to develop the ability to independently see, understand and experience the world around. The Muzeum promotes art as a valid component of social life which makes our human existence more complete and valuable. We pursue our mission goal by collecting, preserving and studying works of art, as well as by organising artistic events and supporting and advancing research, education and promotion of art at all levels. Having regard to the close link between the history of the Muzeum and the history of the avant-garde, we focus our activities particularly on the promotion of progressive artistic practices and collaboration with their authors.

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Jerzy Lewczyński, Nasze powiększenie – Nysa 1945

Jadwiga Sawicka, Było nie było, 2010–2014

Krzysztof M. Bednarski, Moby Dick, 1986–87

Koji Kamoji, Miasto i dwa słońca, 1964-1965 relief

Koji Kamoji, Miasto i dwa słońca, 1964-1965 relief

Natalia LL, Trwoga paniczna I, 1988

Teresa Murak Zasiew, 1975 – 1976
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Jerzy Lewczyński, Nasze powiększenie – Nysa 1945
Muzeum Sztuki
Lodz, Poland

Muzeum Sztuki in Łódź is one of the oldest museums of modern art in the world. The Museum’s connections with the avant-garde date back to the turn of the 1920s and 1930s, when a group of radical artists from the “a.r.” group began gathering works of the most important artists of the day for the Museum. The action met with great interest of European avant-garde, making many outstanding artists, such as Fernand Leger, Max Ernst, Hans Arp and Kurt Schwitters to donate their works to the collection. The fact made the collection of the “a.r.” group a unique symbol of solidarity and cooperation of the avant-garde. The International Modern Art. Collection of the “a.r.” group, representing the main directions of art. such as Cubism, Futurism, Constructivism, Purism, Neoplasticism and Surrealism was open to public on 15th February 1931. The collection has since been consistently expanded by including international modern and contemporary artworks. Due to this fact Muzeum Sztuki is now the only museum in Poland with such extensive collection of world art of the 20th and 21st century.

Our mission at the Muzeum Sztuki consists in providing an appropriate environment for contemporary audiences to interact with the heritage of past and present generations of artists which can inspire them to develop the ability to independently see, understand and experience the world around. The Muzeum promotes art as a valid component of social life which makes our human existence more complete and valuable. We pursue our mission goal by collecting, preserving and studying works of art, as well as by organising artistic events and supporting and advancing research, education and promotion of art at all levels. Having regard to the close link between the history of the Muzeum and the history of the avant-garde, we focus our activities particularly on the promotion of progressive artistic practices and collaboration with their authors.

Jadwiga Sawicka, Było nie było, 2010–2014

Krzysztof M. Bednarski, Moby Dick, 1986–87

Koji Kamoji, Miasto i dwa słońca, 1964-1965 relief

Koji Kamoji, Miasto i dwa słońca, 1964-1965 relief

Natalia LL, Trwoga paniczna I, 1988

Teresa Murak Zasiew, 1975 – 1976
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