From the start of abstract art there was a split between two lines: one structured and economical, often proscribing curves, and a warmer, more informal one in which spontaneity imposed its rhythm.
My work depicts ultramodern scenes of domestic life. Creating large scale paintings (some 7 feet tall), I use family life as a reference. Documenting covertly, I use my phone’s camera to capture our relationships with each other and daily life. Social media has idealized family life, but I try to depict moments of both simultaneous disconnect and connection.
Painting for me is both an embrace of and resistance to domestic life. There is a saccharine image of family life depicted in pop culture. The expectation is that mothers are to provide a perfect future and produce lives of happiness and fulfillment for their children. When you connect to some things, you disconnect from others, those choices shape our lives.