The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.
Five Dots
Mychaelyn Michalec
Artist
My work depicts ultramodern scenes of domestic life. Creating large scale paintings (some 7 feet tall), I use family life as a reference. Documenting covertly, I use my phone’s camera to capture our relationships with each other and daily life. Social media has idealized family life, but I try to depict moments of both simultaneous disconnect and connection.
Painting for me is both an embrace of and resistance to domestic life. There is a saccharine image of family life depicted in pop culture. The expectation is that mothers are to provide a perfect future and produce lives of happiness and fulfillment for their children. When you connect to some things, you disconnect from others, those choices shape our lives.
Mychaelyn Michalec
Artist
My work depicts ultramodern scenes of domestic life. Creating large scale paintings (some 7 feet tall), I use family life as a reference. Documenting covertly, I use my phone’s camera to capture our relationships with each other and daily life. Social media has idealized family life, but I try to depict moments of both simultaneous disconnect and connection.
Painting for me is both an embrace of and resistance to domestic life. There is a saccharine image of family life depicted in pop culture. The expectation is that mothers are to provide a perfect future and produce lives of happiness and fulfillment for their children. When you connect to some things, you disconnect from others, those choices shape our lives.
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