
Nam June Paik is considered to be one of the founders of video art. After studying art history and music in Tokyo, he moved to Germany in 1956. There, he got to know Karlheinz Stockhausen, who introduced him to electroacoustic music and the work of John Cage. In 1960 Paik joined the Fluxus movement and performed many pieces based on the deconstruction of sound forms. At the same time he was making his first works incorporating television. These generally examined the possibilities of manipulating and coloring images through sound or by disturbing the cathode ray tube. Using multiple images, collage, inlay and layering in a random manner, he created video sculptures, sometimes anthropomorphic, in which images flash by rapidly on a stack of monitors. Greatly ahead of his time, in 1974 he invented forms of mixing and sampling, and in 1984 he anticipated the planetary dimension of art through his interest in satellite communication.
Nam June Paik is considered to be one of the founders of video art. After studying art history and music in Tokyo, he moved to Germany in 1956. There, he got to know Karlheinz Stockhausen, who introduced him to electroacoustic music and the work of John Cage. In 1960 Paik joined the Fluxus movement and performed many pieces based on the deconstruction of sound forms. At the same time he was making his first works incorporating television. These generally examined the possibilities of manipulating and coloring images through sound or by disturbing the cathode ray tube. Using multiple images, collage, inlay and layering in a random manner, he created video sculptures, sometimes anthropomorphic, in which images flash by rapidly on a stack of monitors. Greatly ahead of his time, in 1974 he invented forms of mixing and sampling, and in 1984 he anticipated the planetary dimension of art through his interest in satellite communication.

The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
Across generations, the Stars and Stripes has inspired pride, protest, and profound artistic expression. From battlefields to modern cultural movements, our flag’s journey through art reveals a nation constantly redefining itself.
Throughout his prolific career, Marc Chagall (1887–1985) returned time and again to the vivid imagery of acrobats, clowns and fantastical performers. Marc Chagall: The Circus will present Chagall’s celebrated lithographs on this subject…