After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.
Nan Goldin is an American photographer known for her deeply personal and candid portraiture. Goldin’s images act as a visual autobiography documenting herself and those closest to her. Her opus The Ballad of Sexual Dependency (1980–1986) is a slideshow of snapshots set to music that chronicled her life within the subcultures of New York during the 1980s. The Ballad was first exhibited at the 1985 Whitney Biennial, and was made into a photobook the following year. “For me it is not a detachment to take a picture. It’s a way of touching somebody – it’s a caress,” she said of the medium. “I think that you can actually give people access to their own soul.”
Born Nancy Goldin on September 12, 1953 in Washington, D.C., the artist began taking photographs as a teenager. Influenced both by the fashion photography of Helmut Newton and Guy Bourdin she saw in magazines, as well as the revelatory portraits of Diane Arbus and August Sander, Goldin captured herself and her friends at their most vulnerable moments, as seen in her seminal photobook Nan Goldin: I’ll Be Your Mirror (1996). The artist currently lives and works between New York and London. Today, Goldin’s works are held in the collections of The Museum of Modern Art in New York, the Tate Modern in London, the Museum of Contemporary Art in Los Angeles, and the Centre Georges Pompidou in Paris, among others.