Intimate confession is a project is a group exhibition that considers transmission, intergenerational life, and cultural inheritance through the prism of intimacy and infrastructure. Through the work of eleven artists spanning generations and geographies, the exhibition thinks through infrastructure as an intimate holding cell (more…)

When asked about his decision to paint almost nothing but animals, Gilles Aillaud replied “because I like them”. Contemporaneous with early Pop Art works, with their varying degrees of fascination with consumer products and mass communication, the paintings of Gilles Aillaud (who died in 2005) have nothing exotic about them. (more…)

Schaulager is proud to present a major group exhibition this year and has good reason to celebrate: Schaulager is turning 20 years young! Most of the works on display were acquired in recent years for the collection of the Emanuel Hoffmann Foundation. (more…)

Between 1960 and 1966, the French colonial regime detonated four atmospheric atomic bombs, thirteen underground nuclear bombs and conducted other nuclear experiments in the Algerian Sahara, whose natural resources were being extracted in the process. This secret nuclear weapons programme occurred during and after the Algerian Revolution, or the Algerian War of Independence (1954–62). (more…)

Dia Center was founded in New York City in 1974 by Philippa de Menil, Heiner Friedrich, and Helen Winkler to help artists achieve visionary projects that might not otherwise be realized because of scale or scope. To suggest the institution’s role in enabling such ambitions, they selected the name “Dia,” taken from the Greek word meaning “through.” (more…)

The same degree and intensity of generalization, reductionism, and stereotyping apply to imagining the Balkans and the Roma. Maria Todorova’s concept of Balkanism provides a sound theoretical framework to explore the deployment of Balkanist stereotypes against Roma in Eastern Europe and Western Balkans. (more…)

Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space. (more…)

Over the past six years, photographer Mark Power has travelled across the US to create a complex visual narrative of a country in the midst of change. This new book, Good Morning, America (Volume One), represents a personal and timely exploration of both the American cultural and physical landscape (more…)

Crystal Z Campbell’s multidisciplinary art practice centers on “public secrets” – stories known by many but rarely told. Lines of Sight illuminates the 1921 Tulsa Race Massacre, when white mobs attacked and killed hundreds of Black residents, destroying over 35 city blocks of the predominantly Black Greenwood district (a.k.a. Black Wall Street) in Tulsa, Oklahoma. (more…)