The divergent creative practices of this year’s Zvono Award finalists – Ljiljana Arsić, Isidora Branković, Mustafa Mlinarević, and Emina Veladžić – have shaped a media-heterogeneous, methodologically diverse, and conceptually multilayered exhibition.

Miles Aldridge’s hyperreal women have long been a focal point of his instantly recognizable color-blown images. With a bulging portfolio of more than two decades’ work, he has shot everyone from models of the moment Siri Tollerød and Cara Delevingne, to supermodel iconoclasts, such as ex-wife Kristen McMenamy.

Wolf Tones presents the work of six artists as a refracted analogy of an acoustic phenomenon. The wolf tone is an irregular vibration produced by a musical instrument such as the cello. It is the result of an acoustic conflict produced by its wooden body.

Artpil is seeking to expand the team. From contributors to freelance individuals. Whether you are a writer, photographer, designer, art director, we want to hear from you.

World Press Photo is an independent non-profit organization that champions the power of photojournalism and documentary photography to deepen understanding of the world’s complexities, promote dialogue, and inspire action.

Aiming to present a thematic narrative on contemporary photography and lens-based art in Türkiye, “Panorama: Dreams and Places” brings together a comprehensive selection of works produced since the 2010s by 18 artists from different generations.

OFFSCREEN Paris is a nomadic event that values contemporary, historic and avant-garde artists with image-based practices. With its distinct voice, it is a must-see highlight of Paris Art Week each October...

In his new body of work Hostless, Mohammed Sami focuses predominantly on internal spaces. The paintings become a site for mnemonic processes, mental operations in which abstraction falters and something unsettling begins to seep through.

Guest curated by fashion industry game changer Edward Enninful OBE, whose lived experience of the decade informs the exhibition The 90s examines a defining period in which a groundswell of creativity changed

Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.

Art Week Tokyo 2026 expands its activation of the city’s diverse array of museums and art spaces. New institutional highlights include Nam June Paik: The 20th Anniversary of His Passing at Watari-um…

The UK’s first exhibition on Elsa Schiaparelli spans the 1920s to today, celebrating the innovative designer’s influence. It traces the fashion house’s groundbreaking origins and its evolution under current creative director Daniel Roseberry.

Entitled After It’s All Said, 39th Panorama of Brazilian Art, under the curatorship of Diane Lima, questions where artistic production has overflowed in the search to expand the limits of aesthetic representation through a radical exercise of imagination.

Foam presents The Edge of Things, a major solo exhibition of the internationally renowned artist Nadav Kander. Over more than three decades, Kander has created some of the most celebrated images in contemporary photography...

This autumn, Larry Achiampong will present his new film Relic 4 (2026) at KARST, revisiting the cinematic universe of the Relic Traveller project after a six-year hiatus. Exploring themes of fallen empire, class, and displacement...

“Magnum is a community of thought, a shared human quality, a curiosity about what is going on in the world, a respect for what is going on and a desire to transcribe it visually.” – Henri Cartier-Bresson

The New School Art Collection and the Vera List Center for Art and Politics are pleased to present Robert Rauschenberg & the News: Select Prints from The New School Art Collection...