An Act of Unspeakable Violence / Matthias Bruggmann
Oct 17, 2018 – Jan 18, 2019

Al-Shirqat and Zawiya, Iraq, September 24, 2016 © Matthias Bruggmann

Matthias Bruggmann won the second edition of the Prix Elysée, with the support of Parmigiani Fleurier, for his project on Syria. Hoping to “arouse in a Western audience a visceral understanding of the intangible violence that underlies any conflict,” he takes the gamble of hiding nothing in his explicit and brutal pictures. Taken in the field, they force the viewer to slow down and take stock of the war – geographically distant, admittedly, but made omnipresent by the media.

 

Yarmouk, Damas, 30 août 2014 © Matthias Bruggmann

Al Rabiah, Reef Hama, 23 avril 2012 © Matthias Bruggmann

Al Ghota, Homs, 28 mai 2012 © Matthias Bruggmann

Khan Assubul, Reef Idlib, 20 février 2013 © Matthias Bruggmann

If the tens of thousands of pictures of torture taken by Syrian photographers do not attract the attention of a Western audience, what can a foreigner who doesn’t even speak Arabic hope to accomplish? The photographs of Matthias Bruggmann take a critical look at the representation of the atrocities of war. They give Westerners a more nuanced picture of the reality of an armed conflict and blur the boundaries between photojournalism and contemporary artistic photography.

 

Marmarita, Reef Homs, 7 septembre 2013 © Matthias Bruggmann

Reef Quneitra, 7 août 2015 © Matthias Bruggmann

Haas, Reef Idlib, 1er mai 2014 © Matthias Bruggmann

Talmenes, Reef Idlib, 1er mai 2014 © Matthias Bruggmann

Launched in 2012, his project plunges us into the complexity of the conflict. His images, which cover a geographic zone larger than Syria, question our moral assumptions and bring about a better understanding of the violence underlying this conflict.

 

Marmarita, Reef Homs, 11 septembre 2013 © Matthias Bruggmann

Kafr Souseh, Damas, 5 mai 2012 © Matthias Bruggmann

Damas, 5 mars 2014 © Matthias Bruggmann

Al-Rabia, Hama province, April 23, 2012 © Matthias Bruggmann

Babeela, Damas, 23 mai 2015 © Matthias Bruggmann

Matthias Bruggmann explains: “Formally, my previous work put viewers in a position where they were asked to decide the nature of the work itself. A scientifically questionable analogy of this mechanism would be the observer effect in quantum physics, where the act of observing changes the nature of what is being observed. My Syrian work builds on this framework. From a documentation perspective, it is, thus far and to the best of my knowledge, unique as the work, inside Syria, of a single Western photographer, in large part thanks to the assistance and hard work of some of the best independent experts on the conflict. Because of the nature of this conflict, I believe it is necessary to expand the geographical scope of the work. At its core is an attempt at generating a sense of moral ambiguity. The design of this is to make viewers uneasy by challenging their own moral assumptions and, thus, attempt to bring, to Western viewers, a visceral comprehension of the intangible violence that underlies conflict. One of the means is by perverting the codes normally used in documentary photography to enhance identification with the subject.”

 

An Act of Unspeakable Violence / Matthias Bruggmann
October 17, 2018 – January 18, 2019 / Musée de l’Elysée
Lydia Dorner, Curator Assistant, Exhibitions department, Musée de l’Elysée
Visit the exhibition page >

Dalton Paula: Portraits
Jul 29 – Oct 30, 2022
Dalton Paula works in painting, drawing, video, performance and sculpture around Afro-Brazilian histories and experiences. This exhibition focus in...
+
ARTPIL / Prescription .130
The Summer's End
The summer's end is upon us, the respite from a life on pause rounded out. The pandemic in the...
+
Art Will Set You Free
Conversation with Photographer Bill Phelps
As life was turning constantly during this past year, one of the things that constantly kept me looking, hoping...
+
Futurities, Uncertain / 2022 Cornell Biennial
Jul 13 – Dec 18, 2022
Inviting celebratory imaginations and enactments, the 2022 Cornell Biennial performs an artistic call and response to counter singular utopic...
+
Rencontres d’Arles 2022
Jul 4 – Sep 25, 2022
Artists who use the medium are there to remind us of what we want to neither hear nor see....
+
Bernd & Hilla Becher
Jul 15 – Nov 6, 2022
Bernd & Hilla Becher changed the course of late 20th century photography. Working as a couple, they focused on...
+
Our 5th Year Anniversary
ARTPIL / Prescription .129
We are rounding out our fifth year with nearly 3 million visits strong. A very exciting journey it has...
+
Deana Lawson
Various / 2022–2023
This exhibition is the first museum survey dedicated to the work of Lawson, a singular voice in photography today...
+
Dalton Paula: Portraits
Jul 29 – Oct 30, 2022
Dalton Paula works in painting, drawing, video, performance and sculpture around Afro-Brazilian histories and experiences. This exhibition focus in...
+
ARTPIL / Prescription .130
The Summer's End
Pack up the beach bags and the picnic baskets. Count the votes. Back to school, return to work, live the new normal.
+
Art Will Set You Free
Conversation with Photographer Bill Phelps
As life was turning constantly during this past year, one of the things that constantly kept me looking, hoping...
+
Futurities, Uncertain / 2022 Cornell Biennial
Jul 13 – Dec 18, 2022
Inviting celebratory imaginations and enactments, the 2022 Cornell Biennial performs an artistic call and response to counter singular utopic...
+
Rencontres d’Arles 2022
Jul 4 – Sep 25, 2022
Artists who use the medium are there to remind us of what we want to neither hear nor see....
+
Bernd & Hilla Becher
Jul 15 – Nov 6, 2022
Bernd & Hilla Becher changed the course of late 20th century photography. Working as a couple, they focused on...
+
Our 5th Year Anniversary
ARTPIL / Prescription .129
We are rounding out our fifth year with nearly 3 million visits strong. A very exciting journey it has been, indeed.
+
Deana Lawson
Various / 2022–2023
This exhibition is the first museum survey dedicated to the work of Lawson, a singular voice in photography today...
+