Artists’ Film International
Spring 2018 / Various venues

Anatoly Shuravlev

Artists’ Film International is a collaborative project featuring film, video and animation from around the world.

Established by the Whitechapel Gallery in 2008, Artists’ Film International includes 18 global partner organisations. The programme brings together recent moving image works which are presented over the course of a year in each venue.

At the Whitechapel Gallery, a selection of works are screened each season in the Zilkha Auditorium as part of the exhibitions programme.

 

Andrés Denegri

Desire Machine Collective

Patrick Hough

Ørjan Amundsen

Jorge Macchi

Cengiz Tekin

Rachel Maclean

Mateusz Sadowski

Mikhail Karikis

Participating Venues, screening through spring 2018:

Ballroom Marfa, Marfa, Texas, USA
Bonniers Konsthall, Stockholm, Sweden / Through April 30, 2018
The Cultural Centre of Belgrade, Belgrade
CCAA – Centre for Contemporary Arts Afghanistan
The Contemporary Art Centre (CAC), Lithunia
Fundacion PRÓA, Buenos Aires, Argentina
GAMeC, Bergamo, Italy
Hammer Museum, Los Angeles, California
Hanoi DOCLAB, Hanoi, Vietnam
Istanbul Modern, Istanbul, Turkey
MAAT – Museum of Art, Architecture & Technology, Lisbon, Portugal
Museum of Modern Art Warsaw, Poland
n.b.k, Berlin, Germany
Para/Site Art Space, Hong Kong
Project 88, Mumbai, India
Tromsø Kunstforenig, Tromsø, Norway
The Whitworth, The University of Manchester, UK
Whitechapel Gallery, London, UK / Through April 1, 2018

 

Artists’ Film International
Spring 2018 / Various venues
Please visit the program page >

Beazley Designs of the Year
Through March 28, 2021
Beazley Designs of the Year highlights the innovations across fashion, architecture, digital, transport, product, & graphic design, as nominated...
+
30 Under 30 Women Photographers / 2021
Selections Announced
For its 12th edition, Artpil announces the 2021 selection of its annual 30 Under 30 Women Photographers, with styles...
+
A Look Back on 2020
ARTPIL / Prescription .119
This would be the world we would inhabit for the time. And so holiday celebrations would toast on a...
+
History Defining Moments of 2020
Disaster, Unrest, & Uncertainty
These are the moments that will be etched into history, this year 2020 has been a year dominated by...
+
The Shadow Pandemic
Violence against Women in Times of Covid
This other virus, which has existed for a far greater period of time and whose rate of contagion is...
+
Darkest Hour / Thomas Ralph
Britain, Exit Stage Right
It’s never felt quite as isolating to live in the British Isles as it does in the wake of...
+
Southern Rites / Gillian Laub
Various engagements / 2020–2022
This small town symbolized the archetype of pastoral American life. Yet this idyllic place was also held hostage by...
+
CURE (the Work) / Sam Lewitt
Oct 4, 2020 – Jan 3, 2021
Sam Lewitt retools the economic transition of the demolition of the Ford Genk. This dispersed presentation at Z33 raises...
+
Beazley Designs of the Year
Through March 28, 2021
Beazley Designs of the Year highlights the innovations across fashion, architecture, digital, transport, product, & graphic design, as nominated...
+
30 Under 30 Women Photographers / 2021
Selections Announced
For its 12th edition, Artpil announces the 2021 selection of its annual 30 Under 30 Women Photographers, with styles...
+
A Look Back on 2020
ARTPIL / Prescription .119
This would be the world we would inhabit for the time. And so holiday celebrations would toast on a...
+
History Defining Moments of 2020
Disaster, Unrest, & Uncertainty
These are the moments that will be etched into history, this year 2020 has been a year dominated by...
+
The Shadow Pandemic
Violence against Women in Times of Covid
This other virus, which has existed for a far greater period of time and whose rate of contagion is...
+
Darkest Hour / Thomas Ralph
Britain, Exit Stage Right
It’s never felt quite as isolating to live in the British Isles as it does in the wake of...
+
Southern Rites / Gillian Laub
Various engagements / 2020–2022
This small town symbolized the archetype of pastoral American life. Yet this idyllic place was also held hostage by...
+
CURE (the Work) / Sam Lewitt
Oct 4, 2020 – Jan 3, 2021
Sam Lewitt retools the economic transition of the demolition of the Ford Genk. This dispersed presentation at Z33 raises...
+