Gregory Crewdson: Cathedral of the Pines
June 23 – October 8, 2017

Gregory Crewdson

Gregory Crewdson

Gregory Crewdson

This is the first UK exhibition of Cathedral of the Pines, a new body of work by acclaimed American artist Gregory Crewdson, and it is also the first time The Photographers’ Gallery has devoted all three of its gallery spaces to one artist.

With this series, produced between 2013 and 2014, Crewdson departs from his interest in uncanny suburban subjects and explores human relations within more natural environments. In images that recall nineteenth-century American and European paintings, Crewdson photographs figures posing within the small rural town of Becket, Massachusetts, and its vast surrounding forests, including the actual trail from which the series takes its title. Interior scenes charged with ambiguous narratives probe tensions between human connection and separation, intimacy and isolation.

 

Gregory Crewdson

Gregory Crewdson

Gregory Crewdson

Crewdson describes this project as ‘his most personal’, venturing to retrieve in the remote setting of the forest, a reminiscence of his childhood. The images in Cathedral of the Pines, located in the dystopian landscape of the anxious American imagination, create atmospheric scenes, many featuring local residents, and for the first time in Crewdson’s work, friends and family. In Woman at Sink, a woman pauses from her domestic chores, lost in thought. In Pickup Truck, Crewdson shows a nude couple in the flatbed of a truck in a dense forest—the woman seated, the man turned away in repose. Crewdson situates his disconsolate subjects in familiar settings, yet their cryptic actions—standing still in the snow, or nude on a riverbank—hint at invisible challenges. Precisely what these challenges are, and what fate awaits these anonymous figures, are left to the viewer’s imagination.

Crewdson’s careful crafting of visual suspense conjures forebears such as Diane Arbus, Alfred Hitchcock, and Edward Hopper, as well as the influence of Hollywood cinema and directors. In Cathedral of the Pines, Crewdson’s persistent psychological leitmotifs evolve into intimate figurative dramas.

Visually alluring and often deeply disquieting, these tableaux are the result of an intricate production process: For more than twenty years, Crewdson has used the streets and interiors of small-town America as settings for photographic incarnations of the uncanny. Working with a large crew, he plans his images as meticulously as any movie director.

 

Gregory Crewdson: Cathedral of the Pines
June 23 – October 8, 2017 / The Photographers’ Gallery, London
Visit the exhibition page >

ARTPIL / Prescription .110
A Spectre is Haunting Europe
In fact take my body who will, take it I say, it is not me... And come a stove...
+
Asikainen, Chin, and Houghton
Jan 25 – Apr 26, 2020
BALTIC 39 is proud to present three solo exhibitions with artists Henna Asikainen, Kara Chin, and Ben Jeans Houghton....
+
Reading Time in Space
Modernism at mumok
This exhibit traces passages of time and artistic concepts, accounting the idea of an expanded concept of art, one...
+
Towards No Earthly Pole / Julian Charrière
January 31 – March 21, 2020
Filmed at night, the dazzling landscapes captured are dramatically lit by a spotlight carried on a drone; as light...
+
Katy Moran / Recent Paintings
Jan 11 – Feb 19, 2020
Recently described as an ​“abstract painter of figurative mood,” Moran enlists a wide scope of mark-making to conjure different...
+
Botanical Drift / Ebbe Stub Wittrup
January 23 – May 17, 2020
As Ebbe Stub Wittrup follows in the footsteps of the Danish botanist Nathaniel Wallich, a narrative emerges on Western...
+
Joanna Piotrowska
January 24 – March 7, 2020
The tension is triggered by the reversibility of the situations, gestures and actions staged, the suspended moment of an...
+
ARTPIL / Prescription .109
Civilization and its Discontent
A State of emergency is declared in Canberra, Australia. The Novel coronavirus continues to spread. The Impeachment hearings in...
+
ARTPIL / Prescription .110
A Spectre is Haunting Europe
In fact take my body who will, take it I say, it is not me... And come a stove...
+
Asikainen, Chin, and Houghton
Jan 25 – Apr 26, 2020
BALTIC 39 is proud to present three solo exhibitions with artists Henna Asikainen, Kara Chin, and Ben Jeans Houghton....
+
Reading Time in Space
Modernism at mumok
This exhibit traces passages of time and artistic concepts, accounting the idea of an expanded concept of art, one...
+
Towards No Earthly Pole / Julian Charrière
January 31 – March 21, 2020
Filmed at night, the dazzling landscapes captured are dramatically lit by a spotlight carried on a drone; as light...
+
Katy Moran / Recent Paintings
Jan 11 – Feb 19, 2020
Recently described as an ​“abstract painter of figurative mood,” Moran enlists a wide scope of mark-making to conjure different...
+
Botanical Drift / Ebbe Stub Wittrup
January 23 – May 17, 2020
As Ebbe Stub Wittrup follows in the footsteps of the Danish botanist Nathaniel Wallich, a narrative emerges on Western...
+
Joanna Piotrowska
January 24 – March 7, 2020
The tension is triggered by the reversibility of the situations, gestures and actions staged, the suspended moment of an...
+
ARTPIL / Prescription .109
Civilization and its Discontent
A State of emergency is declared in Canberra, Australia. The Novel coronavirus continues to spread. The Impeachment hearings in...
+