Humanity in Photographs
April 6 – June 16, 2019

Lillian Birnbaum, Leocadie & Ping Pong, 2005/2010 From the series Transition

The portrait, a key theme in the work of photography’s pioneers, is more popular than ever in the digital era. When we capture others’ faces and our own and post and share the results across our social networks, these pictures speak to an essential human characteristic – the curiosity with which we observe one another. They illustrate our own histories on several levels. Photographs of individuals and types reflect social conventions; posed pictures invite conjectures concerning the identity and individuality of the sitters and the intentions of the photographers. The encounter with a human face is intimately bound up with unexpected, novel, and personal experiences.

 

Sabine Jelinek, From the series Transfiguration

Ana Hoffner, Untitled, 2016, From the series Disavowals or cancelled confessions / Lothar Rübelt Hutmodell der Firma Krickl, Wien, around 1930 (Hat model of the company Krickl), from the series Österreich zwischen den Kriegen (Austria between the Wars)

Georg Petermichl After Brassai: Groupe Joyeux au Café Savoy, 2010 (After Brassai: Happy Group at Café Savoy)

Ulrike Lienbacher, from the series 10 + 10 Fotografien (10 + 10 Photographs)

The new exhibition uses a review of the works that have entered the Austrian Federal Photography Collection in the past three years as an opportunity to explore the depiction of humans as a fascinating and variegated genre. It draws on the rich holdings of the collection, which is housed at the Museum der Moderne Salzburg; rather than emphasizing specific genres, the acquisitions program takes its cue from what artists working today select for submission. The show accordingly presents recent photographs together with early specimens from the collection and newcomers in dialogue with established artists.

 

Margherita Spiluttini, from the series Die Firma, 1980 (The Company), 106 gelatin silver prints on baryta paper

Margot Pilz TROTZ-DEM, 1983 (Nevertheless), from the series Weiße Zelle (White Cell)

Nikolaus Walter Untitled, 1972–1973, from the series Toronto Cowboy

Rudolf Zündel Untitled, 1977, from the series Als Tschusch unter Türken (As a Tschusch amongst Turks)

Paul Kranzler, 3 shown of 11 works from the series Orte für Menschen / Places for People, 2016/2017

Works by:

Wolfgang Bender, Renate Bertlmann, Lillian Birnbaum, Trude Fleischmann, Nilbar Güreş, Ernst Haas, Nikola Hansalik, Ana Hoffner, Sabine Jelinek, Ruth Kaaserer, Paul Kranzler, Friedl Kubelka, Ulrike Lienbacher, Michael Mauracher, Martina Mina und Sabine Schwaighofer, Inge Morath, Michaela Moscouw, Georg Petermichl, Margot Pilz, Lothar Rübelt, Hans Schabus, Christoph Scharff, Sira-Zoé Schmid, Margherita Spiluttini, Nina Rike Springer, Nikolaus Walter, Rudolf Zündel

 

Humanity in Photographs
Recent Acquisitions of the Federal Photography Collection
Curators: Christiane Kuhlmann with Andrea Lehner-Hagwood
April 6 – June 16, 2019 / Museum der Moderne Salzburg
Visit the exhibition page >

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The German-American artist Lyonel Feininger is a classic protagonist of modern art. The Schirn Kunsthalle is dedicating an extensive...
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  • 1 a 1 Affinità
    Nov 22, 2023 – Feb 29, 2024
    ON House Milano
    Milan, Italy

    1 a 1 Affinità is a group show celebrating the relationship between different artistic expressions and their surrounding context. The exhibition takes place at ON House Milano: a charming location in the heart of Milano, which used to be the Azucena workshop of Architect Caccia Dominioni.

    The combination of space, artwork, and the artworks between them invites the audience to discover, through research and observation, that “spark” of affinity generated by perception.

    The path follows the thin line that defines different artistic languages, such as figurative art and abstract art, but also performance, photography, NFT, happening, video and installation. And everything with the utmost respect to the historical heritage and design purpose of the house.

    This was, in fact, the toughest challenge for the curators Anna Kessler and Anna Niutta. They looked for the harmony within different poetics, and created a unique and unexpected domestic experience. An experience deeply related to the visible.

    Starting from the “Sleeping Girl” (yes, she will be actually sleeping in the bedroom of the house), the exhibition reveals a path through memories and people, mysteries and objects and colors and hopes. And in fact, isn’t the bed the one, true realm of imagery and imagination, dreams and visualizations?

    Every night, as we lay our day down, we practice the art of letting go. We leave our conscious thoughts, our rational mind behind, and we agree to see, and be seen  –  we accept to yield control. And as we do that, we gift ourselves to the domain of imagery  –  key and vehicle to those intimate, submerged places and spaces. At night, it is instinct and imagery that guide our experience.

    Research on the visible is a challenge to observation directed to the observer. There certainly is a real world that we know, but how much of this real world is exhausted in our sensory experience?

    Through the dialogue between works, the observer discovers similarities between different languages that ultimately prove to be distant only in appearance. Different artistic means manage to generate, through perception, a living impression in continuous dialogue with the observer.

    The common features, or affinities, between the different forms of expression appear very clear at times: the figurative often finds itself drawing from elements that are not properly its own, and the non-figurative struggles to disregard sensory reality that is also perhaps only an illusion.

    To what degree is our sensory perception conditioned by our inner state and to what extent is it – instead – influenced by our surroundings?

    The show will be featuring the following artists: Michele Dal Bosco, Louise Daniel, Giovanni De Benedetto, Laura Grinberga, Alessandro Grimoldieu, Rosanna Iob, Rebecca Loro, Guenda Nocentini, Carolina Pozzi, Maddalena Tesser, Maria Giovanna Zanella. With the precious contribution of Annalisa Iob. Everything was made possible by the vision of Fabio Tacchinardi.

    Curated by Anna & Anna
    On House Milano, Via Passione 8, Milan, Italy
    Vernissage by invitation only
    For more information: art@onhousemilano.com