Instant Stories / Wim Wenders’ Polaroids
Oct 20, 2017 – Feb 11, 2018

“A love letter to the Polaroid” –British Journal of Photography

This exhibition offers a rare opportunity to see the personal and previously unseen Polaroid work of Oscar-nominated filmmaker, Wim Wenders (b.1945, Germany) and provides a singular insight into the artist’s thought processes, preoccupations and aesthetic inspirations.

Whilst his larger photographic works are well known, this is the first time he has shown a selection of the many thousands of Polaroid photographs taken, both on and off location, between the early 1970s and mid 80s. Wenders’ fascination with the Polaroid stems from his early adoption of the format while he was learning the craft of film-making in the late 60s. Polaroids operated as a visual notebook – a way of testing out frames and ideas – but more than that they offered him a kind of liminal space between the subject and the photograph, the photographer and the act of taking a photo, the intention and the outcome.

“The entire Polaroid process (and procedure) has nothing to do with our contemporary experience, when we look at virtual and vanishing apparitions on a screen that we can delete or swipe to the next one. Then, you produced and owned ‘an original’! This was a true THING, a singular object of its own, not a copy, not a print, not multipliable, not repeatable. You couldn’t help feeling that you had stolen this image-object from the world. You had transferred a piece of the past into the present.”

–Wim Wenders / Autumn 2017

Wim Wenders

Instant Stories presents over 200 of Wenders’ Polaroids encompassing portraits of cast and crew, friends and family, behind-the scenes, still-lives, street-photography and landscapes. Alongside diary-like impressions and homages to his artistic inspirations, including Fassbinder and Warhol, the small format images take us on a literal and metaphoric journey through Europe and the US. From his first trip to New York, his fascination with American TV, views from rooftops (he’d never been so high up before), shop-fronts, roads, cars and many other visual recordings, Wenders’ Polaroids reflect a distinctive and lyrical vision – at once both intimate and portentous.

The exhibition will also feature a selection of moving images from his films, reflecting moments in Wenders’ canon, where Polaroid cameras and still photographs form a vital part of the narrative, such as the photo-obsessed protagonist in Alice in the Cities (1974).

Instant Stories. Wim Wenders’ Polaroids is a collaboration between The Photographers’ Gallery, C|O Berlin Foundation and the Wim Wenders Foundation.

Wim Wenders’ films include Alice in the Cities (1974), The American Friend (1977), Paris Texas (1984) and the acclaimed Wings of Desire (1987). He has also directed award winning non-fiction including Buena Vista Social Club (1999), Pina (2011) and most recently The Salt of the Earth (2015). His photographs have been exhibited internationally.

 

Instant Stories. Wim Wenders‘ Polaroids
October 20, 2017 –  February 11, 2018 / The Photographers’ Gallery
Please visit the exhibition page >

Robert Rauschenberg: Japanese Clayworks
Apr 8 – Jul 9, 2022
This comprehensive exhibition brings together rarely seen artworks of Rauschenberg's series using a newly developed technique that combined ancient...
+
ARS22 / Living Encounters
Apr 8 – Oct 16, 2022
Art has the power to investigate society and present alternative interpretations of our shared world. The featured works raise...
+
Charging Myths / On-Trade-Off
Mar 6 – Aug 21, 2022
How is technological innovation dependent on raw materials? This question is key in the exhibit tracing the origins of...
+
Circulation(s) / 12th edition
European Young Photography Festival
Circulation(s) is back with a program that reveals the vitality, creativity, and diversity of emerging photography. For two months,...
+
Ukraine: Updates from Magnum
Photographers in the Field
Magnum Photographers are on the ground in Ukraine documenting the Russian invasion and its impact on life in the...
+
The Last Humans
Alienation in the Anthropocene
We have fundamentally altered the earth's ecosystem by disrupting the natural rhythm of our planet and in doing so...
+
International Women’s Day / 2022
Artpil / Prescription .127
More terrible is love in Kyiv than magnificent Venetian passions. Butterflies fly light and maculate into bright tapers –...
+
Bayil – Behind The Hills
Bayil, Baku / Ongoing Project
On the horizon of the district between old, handmade fences and the sky, you can see the newly built...
+
Robert Rauschenberg: Japanese Clayworks
Apr 8 – Jul 9, 2022
This comprehensive exhibition brings together rarely seen artworks of Rauschenberg's series using a newly developed technique that combined ancient...
+
ARS22 / Living Encounters
Apr 8 – Oct 16, 2022
Art has the power to investigate society and present alternative interpretations of our shared world. The featured works raise...
+
Charging Myths / On-Trade-Off
Mar 6 – Aug 21, 2022
How is technological innovation dependent on raw materials? This question is key in the exhibit tracing the origins of...
+
Circulation(s) / 12th edition
European Young Photography Festival
Circulation(s) is back with a program that reveals the vitality, creativity, and diversity of emerging photography. For two months,...
+
Ukraine: Updates from Magnum
Photographers in the Field
Magnum Photographers are on the ground in Ukraine documenting the Russian invasion and its impact on life in the...
+
The Last Humans
Alienation in the Anthropocene
We have fundamentally altered the earth's ecosystem by disrupting the natural rhythm of our planet and in doing so...
+
International Women’s Day / 2022
Artpil / Prescription .127
More terrible is love in Kyiv than magnificent Venetian passions. Butterflies fly light and maculate into bright tapers –...
+
Bayil – Behind The Hills
Bayil, Baku / Ongoing Project
On the horizon of the district between old, handmade fences and the sky, you can see the newly built...
+