Joseph Beuys was born in 1921, in Krefeld, Germany. During his school years in Kleve, Beuys was exposed to the work of Achilles Moortgat, whose studio he often visited, and was inspired by the sculptures of Wilhelm Lehmbruck. (more…)

The same degree and intensity of generalization, reductionism, and stereotyping apply to imagining the Balkans and the Roma. Maria Todorova’s concept of Balkanism provides a sound theoretical framework to explore the deployment of Balkanist stereotypes against Roma in Eastern Europe and Western Balkans. (more…)

Krinzinger Schottenfeld decided to develop an exhibition for the annual curated by festival, which underlines a deep research on the artists and their practice in the Middle East. This is justified by 15 years of strong presence of the Galerie Krinzinger not only in the yearly Art Dubai Fair, but also by continuous visits of the MENA-Region and contact with the local artists, who then successfully joined the gallery program. (more…)

The Others was founded twelve years ago as a revolutionary project, in order to offer to the most innovative artistic expressions the opportunity to participate in a fair with the same facilities of the great international events, but with costs of access among the lowest in the world. (more…)

Urbanautica is an independent journal about visual anthropology and cultural landscapes that came from humble beginnings, and has now a spread in 4 continents and thousands of followers.

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Troy House Art Foundation London, is presenting an interdisciplinary project curated by the art historian Tereza de Arruda and developed priory in cooperation with the Kunsthalle Rostock, together with the Botanical Garden of the University of Rostock in which scientific research and art entered into dialogue. (more…)

HYBRIDS: Forging New Realities as Counter-Narrative aims to explore the new atmosphere of trans-disciplinary experimentation across divergent fields and sectors in the arts. (more…)

Across cultures and landscapes, the swamp spells crisis. It is bad nature that undoes the elementary order by mixing up soil, air, and water into a bottomless formlessness resistant to being mapped and depicted. Home only to vermin, nothing can be built or cultivated in its chaotic fecundity, (more…)

Contemporary Fine Arts is pleased to present rarely shown works from Ottinger’s early years in Paris in their new gallery space in Basel. These are not only stunning works of her own pictorial language, they also foreshadow Ottinger’s later cinematic idiom, which launched her on an impressive worldwide career as a film artist. (more…)