Martin Luther King Jr.
MLK & the Civil Rights Movement

Marion S. Trikosko

Updated / 2022

Martin Luther King Jr. Day – The official namesake national holiday in the U.S. which falls on the 3rd Monday of January and not always on his birthday (January 15, 1929 – April 4, 1968), has itself had a history of struggle in first becoming law in 1983, with general observances in all 50 states virtually needing a mandate starting only in the year 2000. Now, over half a century after MLK’s assassination, the country still has a long journey ahead.

Through some strange social contract, the civil inequities have only been transformed into legal institutionalized violence which continues to this day and the very notion of equality as an ideal is under attack by certain extreme right wing groups – or not so extreme as it turns out – some of whose most ardent champions and known associates continue to occupy seats in Congress and openly serve in the government.

The movement of #WhileBlack began as a response to a growing phenomenon of people calling the authorities on innocent individuals doing the most mundane of activities but simply because they were black, and in proximity of what the caller might consider their diminishing personal space, or at least the privileged space of their people.

The more important struggle of Black Lives Matter had all but successfully quelled by those overly self-righteous, feeling somehow no longer ultra-privileged, refusing to look beyond their limited personal culture or contrived grievances defended by obtuse reasoning and in complete denial of any critical race theory. The past year we saw a dramatic reawakening of the call against racism and violence following the murder of George Floyd and the sentencing handed down to the police officers involved – a small reminder of accountability in the infinite scroll of unapologetic brutality.

The very notion of equality as an ideal is under attack by certain extreme right wing groups – some of whose most ardent champions and known associates continue to occupy seats in Congress and openly serve in the government.

Earlier in his term, the twice-impeached former President of the United States referred to some of the black majority nations including Haiti as something loosely translating as “container for feces,” only more eloquent, voicing his preference towards immigration from more nordic or white majority countries, such as Norway. Norwegians, of course, in turn, quickly responded in solidarity with the targeted countries distancing themselves from such grand ignorance. It’s worth noting that it was Norway along with the Swedish Academy who awarded Martin Luther King Jr. the Nobel Prize for Peace in 1964, a year prior to the U.S. Voting Rights Act of 1965. Perhaps America does need more visitation from the Scandinavian countries, if only to come as a committee to educate the White House on these matters.

Meanwhile, a most uncivil of movements in support of this lost leader is still playing out in the streets of America, on the steps of the Capitol with forced entries into its halls and chambers, or as misguided militias under the pretense of protecting property, if only for certain classes. Trump in his sea-to-lake decline is starting to eye 2024, blowing kisses and teleprompting his own billet doux, seeking to overturn elections and fueling false equivalencies for his insurrectionists and violent supporters whose only vestige of evolutionary growth lies in their opposable thumbs poised over their twitter handles on suspension, ready to cry “cancel culture” at the earliest reprimand. But this is still the same war that has been playing out over centuries.

The selective memory of a nation still needs jogging in order for the dream to come true. Today’s feature honors Martin Luther King Jr. and the Civil Rights Movement. Photography by Bruce Davidson, Yoichi Okamoto, Gordon Parks, James Karales, Steve Schapiro, Marion S. Trikosko, and Bob Adelman.

 

James Karales

Bob Adelman

Bob Adelman

Bruce Davidson

Bruce Davidson

Bruce Davidson

Bruce Davidson

Gordon Parks

Gordon Parks

Gordon Parks

Gordon Parks

Yoichi Okamoto

James Karales

James Karales

Steve Schapiro

Steve Schapiro

“Five score years ago, a great American, in whose symbolic shadow we stand today, signed the Emancipation Proclamation. This momentous decree came as a great beacon light of hope to millions of Negro slaves who had been seared in the flames of withering injustice. It came as a joyous daybreak to end the long night of their captivity.

But one hundred years later, the Negro still is not free. One hundred years later, the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination. One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. One hundred years later, the Negro is still languished in the corners of American society and finds himself an exile in his own land…

And so even though we face the difficulties of today and tomorrow, I still have a dream. It is a dream deeply rooted in the American dream.

I have a dream that one day this nation will rise up and live out the true meaning of its creed: We hold these truths to be self-evident, that all men are created equal.

I have a dream…”

– Martin Luther King Jr. / 1963

30 Under 30 Women Photographers / 2023 TAW
Torino Art Week / Exhibition
Presented for Torino Art Week 2023 and in collaboration with Recontemporary in Turin, Artpil proudly announces the 2023 exhibition...
+
Torino Art Week 2023
Prescription .144
Torino Art Week 2023 opens the first week of November with events that will fill the city with works...
+
Antoni Tàpies. The Practice of Art
Sep 15, 2023 – Jan 7, 2024
A self-taught artist during the interwar period, Tàpies reflected on the human condition, his historical situation and the artistic...
+
Dorothea Lange. Tales of Life and Work
Prescription .143
Dorothea Lange's photography, now nearly a hundred years later, continues to resound in its portrayal of a time and...
+
Paris Photo 2023
November 9–12, 2023
Paris Photo is the largest art fair dedicated to the photographic medium and is held each November in the...
+
REGENERATE
Jun 23 – Dec 10, 2023
With REGENERATE as its theme, the festival brings together works that explore the changes modern society must face, seeing...
+
Joel Sternfeld: American Prospects
Sep 28, 2023 – Jan 21, 2024
American Prospects has enjoyed a life of acclaim. Its pages are filled with unexpected excitement, despair, tenderness and hope....
+
ARTPIL / Prescription .142
White heat. A Green River.
A bridge, scorched yellow palms from the summer-sleeping house drowsing through August. Days I have held, days I have...
+
30 Under 30 Women Photographers / 2023 TAW
Torino Art Week / Exhibition
Presented for Torino Art Week 2023 and in collaboration with Recontemporary in Turin, Artpil proudly announces the 2023 exhibition...
+
Torino Art Week 2023
Prescription .144
Torino Art Week 2023 opens the first week of November with events that will fill the city with works...
+
Antoni Tàpies. The Practice of Art
Sep 15, 2023 – Jan 7, 2024
A self-taught artist during the interwar period, Tàpies reflected on the human condition, his historical situation and the artistic...
+
Dorothea Lange. Tales of Life and Work
Prescription .143
Dorothea Lange's photography, now nearly a hundred years later, continues to resound in its portrayal of a time and...
+
Paris Photo 2023
November 9–12, 2023
Paris Photo is the largest art fair dedicated to the photographic medium and is held each November in the...
+
REGENERATE
Jun 23 – Dec 10, 2023
With REGENERATE as its theme, the festival brings together works that explore the changes modern society must face, seeing...
+
Joel Sternfeld: American Prospects
Sep 28, 2023 – Jan 21, 2024
American Prospects has enjoyed a life of acclaim. Its pages are filled with unexpected excitement, despair, tenderness and hope. Its fears are expressed in beauty, its sadnesses in irony.
+
ARTPIL / Prescription .142
White heat. A Green River.
A bridge, scorched yellow palms from the summer-sleeping house drowsing through August. Days I have held, days I have lost, days that outgrow
+
  • METAmorphosis / OGR Award
    May 17, 2023
    Artissima / OGR
    Turin, Italy

    Launched during the 2022 edition of Artissima, the METAmorphosis project is the second episode of Beyond Production – a conceptual platform born from the collaboration between Fondazione per l’Arte Moderna e Contemporanea CRT and Artissima, in dialogue with the OGR Award, with the aim of stimulating and promoting reflections on the most innovative trends in contemporary art. (more…)

  • Lutz Bacher: AYE!
    Oct 5 – Dec 17, 2023
    Raven Row
    London, UK

    This exhibition of the unsettling, uncategorisable work of American artist Lutz Bacher (1943–2019) explores her use of music, sound and voice. Bacher’s work oscillates between the conceptual and the visceral. Much of it involves appropriation, using material from American popular culture and flotsam from the information age (pulp fiction, self-help manuals, trade magazines, scientific publications, pornography, bureaucracy, discarded photographs), in work that can be intimate, violent or funny. (more…)