Printed Matter is thrilled to announce the second [#2424-1, 1999] and third [#3878, 2005] in a series of three fundraising Risograph-print editions by the artist Todd Hido. These two images bookend Hido’s most recent Risograph print...

Entitled After It’s All Said, 39th Panorama of Brazilian Art, under the curatorship of Diane Lima, questions where artistic production has overflowed in the search to expand the limits of aesthetic representation through a radical exercise of imagination.

In a softly shimmering blue, then brown, then green, then gray, then pink, then green, then violet, then blue again, the colors of present day New Mexico landscapes are layered horizontally.

Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.

Argo is a creative residency program and project space in Athens, Greece. We are open to visual artists, writers, performers, musicians, scholars, and any other creative discipline. Each residency includes accommodation, studio space, research support, and participation in a creative community.

An artist-researcher, SMITH (born 1985) navigates between photography, moving images, installation, sculpture and performance. His work develops in open cycles, often starting with photographs.

American University Museum is honored to present noon-mool, a major solo exhibition by Korean artist Ahn Chang-Hong. Occupying both the second and third floors of the museum, the exhibition offers a rare opportunity...

Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.

The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…

Museum Arnhem presents Double Life, the first major solo exhibition in the Netherlands by British artist Sarah Maple (b. 1985). In her work, Maple explores what it means when different sides of her identity intersect...

Artpil is seeking to expand the team. From contributors to freelance individuals. Whether you are a writer, photographer, designer, art director, we want to hear from you.

World Press Photo is an independent non-profit organization that champions the power of photojournalism and documentary photography to deepen understanding of the world’s complexities, promote dialogue, and inspire action.

Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects.

In his new body of work Hostless, Mohammed Sami focuses predominantly on internal spaces. The paintings become a site for mnemonic processes, mental operations in which abstraction falters and something unsettling begins to seep through.

Guest curated by fashion industry game changer Edward Enninful OBE, whose lived experience of the decade informs the exhibition The 90s examines a defining period in which a groundswell of creativity changed

More than any other modern poet, Wallace Stevens was concerned with the transformative power of the imagination. Composing poems on his way to and from the office and in the evenings, Stevens continued to spend his days behind a desk at the office...

During the 2016 US Presidential elections Japanese photographer, Fumi Nagasaka, became intrigued by the rural and southern USA. She had lived in New York City for a decade but despite travelling the world, had yet to visit the rest of the US.

The MIT List Visual Arts Center traces its origins to the Hayden Gallery (founded in 1950), which brought artists and the MIT community together through diverse exhibitions and residency projects.