Sarah Jones / Anton Kern Gallery
March 1 – April 7, 2018

Sarah Jones

In Jean Cocteau’s post war film Orphée (1950) there is a beguiling moment when the then modern day Orpheus, standing in front of a full length framed mirror in his room, slides his hand through his own reflection. This once hard glassy impermeable surface becomes viscoelastic, transmutes into liquid; the fragile portal through which Orpheus moves into a parallel other world.

For her fifth exhibition at Anton Kern Gallery, London-based artist Sarah Jones introduces a new body of work that shifts between studio and location, night and day, limits and limitlessness. Her subjects are re-presented in two sizes; a small format for her still-lifes and a large format for photographs made outside the studio. These new works explore artifice, the complex relationship between reality and imagination, between the fixed and the hallucinatory.

 

Sarah Jones

Sarah Jones

Sarah Jones

Using a large format field camera, and working with both black and white and color film, Jones’ works depict a range of subject matter that share a sense of impermanence; cut flowers, cultivated plants, upended glass objects, water cascading down a waterfall. A horse is photographed from one side and then the other, fixing a transitional moment when its coat changes from grey to white. The water of an ornate fountain, located in Regent’s Park, is suspended mid-stream as if iced over. The surfaces of Jones’ subjects are both waxy and slippery, often disappearing into a distinctly black photographic matte space, and often appearing out from it.

 

Sarah Jones

Sarah Jones

Sarah Jones

Only seemingly incongruous, these images are drawn together by the artist’s specific camera framing that references the Cabinet of Curiosities. Popular in the mid 1700s, displays of disparate objects based in fact and the fantastical represented the collector’s own ‘theater of the world’ or ‘memory theater’, Sarah Jones’ new photographs reframe our already cultivated natural world alongside an often glassy illusory one where nature is heightened and cultivated again through the photograph. Sliding between black and white and color, from still life to subjects in specific locations, Jones builds a distinct, peculiarly photographic, sealed world with its own logic, temporality and reduced space and palette. She stretches time, to slow down and extend silence and reverie.

Commenting on her technique with the Special Artist’s Project, Frieze, Jones has said, “The cinematic lighting technique of ‘day for night’ merges the everyday with the space of dream. It offers a metamorphosis, a transition… ‘Cascade’ comes from cascare, to fall. It implies being in between states, in suspension. The photograph holds this in liquid stasis, like amber.”

 

Sarah Jones
March 1 – April 7, 2018 / Anton Kern Gallery
Please visit the exhibition page >

Kennedy Browne: The Redaction Trilogy
Oct 24, 2019 – Jan 26, 2020
The trilogy of works explore the impact of digital technology on labour and politics, questioning the mythical hero status...
+
FIAC 2019
October 17–20, 2019
The 46th Edition of FIAC will host a carefully curated selection of galleries of modern and contemporary art, together...
+
Lucian Freud: The Self-portraits
Oct 27, 2019 – Jan 26, 2020
Spanning nearly seven decades, his self-portraits give a fascinating insight into both his psyche and his development as a...
+
ARTPIL / Prescription .102
So Suddenly Autumn
We are making our rounds, currently posted in Lille, France, former European Capital of Culture, home of the recently...
+
extraORDINAIRE
Oct 12 – Dec 15, 2019
This program reveals how photographers, artists, and others have appropriated the medium to record, question, and even glorify the...
+
Berlin Photo Week 2019
October 10–13, 2019
Berlin Photo Week brings photography to life celebrates the love of photography, art, and technology, with events throughout the...
+
Ernst Ludwig Kirchner
October 3 – January 13, 2020
This exhibition demonstrates Kirchner’s seminal importance in the development of the Expressionist movement in Germany, beginning with his years...
+
Vienna Art Book Fair
October 4–6, 2019
Featuring over 150 exhibitors from 18 countries, the accompanying program includes exhibitions, performances, book presentations, artists’ talks, readings, panels,...
+
Kennedy Browne: The Redaction Trilogy
Oct 24, 2019 – Jan 26, 2020
The trilogy of works explore the impact of digital technology on labour and politics, questioning the mythical hero status...
+
FIAC 2019
October 17–20, 2019
The 46th Edition of FIAC will host a carefully curated selection of galleries of modern and contemporary art, together...
+
Lucian Freud: The Self-portraits
Oct 27, 2019 – Jan 26, 2020
Spanning nearly seven decades, his self-portraits give a fascinating insight into both his psyche and his development as a...
+
ARTPIL / Prescription .102
So Suddenly Autumn
We are making our rounds, currently posted in Lille, France, former European Capital of Culture, home of the recently...
+
extraORDINAIRE
Oct 12 – Dec 15, 2019
This program reveals how photographers, artists, and others have appropriated the medium to record, question, and even glorify the...
+
Berlin Photo Week 2019
October 10–13, 2019
Berlin Photo Week brings photography to life celebrates the love of photography, art, and technology, with events throughout the...
+
Ernst Ludwig Kirchner
October 3 – January 13, 2020
This exhibition demonstrates Kirchner’s seminal importance in the development of the Expressionist movement in Germany, beginning with his years...
+
Vienna Art Book Fair
October 4–6, 2019
Featuring over 150 exhibitors from 18 countries, the accompanying program includes exhibitions, performances, book presentations, artists’ talks, readings, panels,...
+