Founded in Vienna in 2019, Mai Ling is an artists’ collective and association dedicated to facilitating dialogues about experiences of racism, sexism, homophobia, and any kind of prejudgment, particularly against Asian FLINT* (women*, lesbian, inter*, non-binary, and trans*). Rooted in solidarity against patriarchal and racial discrimination, the group offers a protected space and growing network to give voice to the many individuals affected by such discrimination and foster new forms of collaboration. (more…)

“Magnum is a community of thought, a shared human quality, a curiosity about what is going on in the world, a respect for what is going on and a desire to transcribe it visually.” (more…)

What I remember is the purity of the relationship of these young people and an innocence so different from today’s. As I look at these pictures, how the dancers touch each other, how they embrace [ . . . ] there’s a serenity that as a photographer I’m not used to. –Irving Penn, 1995 (more…)

When asked about his decision to paint almost nothing but animals, Gilles Aillaud replied “because I like them”. Contemporaneous with early Pop Art works, with their varying degrees of fascination with consumer products and mass communication, the paintings of Gilles Aillaud (who died in 2005) have nothing exotic about them. (more…)

This exhibition explores the relationship between colonialism and the global financial system. Dutch financial innovations, but also people – bankers, investors and savers – played an essential role in financing colonial campaigns and slavery plantations. (more…)

What is “popular”? Popular is not fame or celebrity. Popular is not the products of mass culture. Popular is not pop. Popular is not the art of the people, nor the identity of the country, nor the symbols of the nation. The popular is not the product of the proletariat or the craftsmanship of the working classes. The popular is not folklore. The popular is not clichés or tourist souvenirs.The popular is not visual candy, one-euro merchandise, advertising royalties. Popular is somewhere in-between all of that (more…)

As Though We Hid the Sun in a Sea of Stories is an exhibition and research project that foregrounds an ever-incomplete weaving of narratives of artists, curators, writers, and customary knowledge holders. It traces the many worlds that have existed in parallel, often in spite of or against the oppressive visions imagined by successive regimes – the Russian Empire, the USSR, and contemporary Russia – that have controlled areas across Eastern Europe and Central and North Asia. (more…)

For 130 years, Paris has been a centre for the production of original graphic works of art. As early as the late 19th century, Henri de Toulouse-Lautrec or Théophile-Alexandre Steinlen created prints and original lithographic posters here, which were enthusiastically received and passionately collected by their contemporaries. (more…)

In his famous text Stranger in the Village, the US-American writer James Baldwin addressed the racism that informed his stay in Switzerland in the 1950s. Baldwin’s words continue to inspire many artists to this day. They hold up a mirror to us as a society and have lost none of their relevance. (more…)