Here we are again, this time, rounding out our fifth year with over 3,000 Articles and Profiles in our growing archive and nearly 3 million visits strong. A very exciting journey it has been, indeed. With our fifth year anniversary Prescription, we continue to move forward. (more…)

Richard Frater develops his artworks departing from the built environment and the fragile nature inherent to the relations between organisms. For his first institutional solo exhibition in Europe (more…)

If Ryuichi Sakamoto had been born in 16th century Italy, we’d know what to call him: a Renaissance Man. But since he was born in Japan in the mid-20th century, we have to string together words like composer, musician, producer, actor, and environmental activist. (more…)

In her installations and objects, Ella Littwitz (b. 1982, Haifa, Israel) addresses the permanence, legitimacy and prevailing over borders as well as their historical, cultural and political meanings. (more…)

Jasper Johns was an artist that came onto the scene in the 1950s. Much of the work that he created led the American public away from the expressionism form, and towards an art movement or form known as the concrete. (more…)

Worlds emerges by being put into words. When humans communicate, play “language-games,” as philosopher Ludwig Wittgenstein put it, they are staking out the limits and possibilities of their relation to the world. (more…)

Joseph Beuys was born in 1921, in Krefeld, Germany. During his school years in Kleve, Beuys was exposed to the work of Achilles Moortgat, whose studio he often visited, and was inspired by the sculptures of Wilhelm Lehmbruck. (more…)

Dia Center was founded in New York City in 1974 by Philippa de Menil, Heiner Friedrich, and Helen Winkler to help artists achieve visionary projects that might not otherwise be realized because of scale or scope. (more…)

Parallel oscillations – can they be understood as the simultaneous expression of two entities? Or more as consonance and polyphony of various means of expression and categories of fine arts? And finally – is it possible to unequivocally classify activities that refuse to be categorized? (more…)