The Experimental Self
Edvard Munch’s Photography

Edvard Munch / Self portrait à la Marat

The Experimental Self: Edvard Munch’s Photography now on view at Scandinavia House: The Nordic Center in America brings the photographic work of the master painter to New York City for its first showing in the U.S.

 

Edvard Munch / Self-Portrait Wearing Glasses and Seated Before Two Watercolors at Ekely

Edvard Munch, Self-Portrait in a Hat in Profile Facing Right / Edvard Munch and Rosa Meissner in Warnemünde

Edvard Munch

Internationally celebrated for his paintings, prints, and watercolors, Norwegian artist Edvard Munch (1863–1944) also took photographs. This exhibition of photographs, films, and a small selection of prints by Edvard Munch emphasizes the artist’s experimentalism, examining his exploration of the camera as an expressive medium. By probing and exploiting the dynamics of “faulty” practice, such as distortion, blurred motion, eccentric camera angles, and other photographic “mistakes,” Munch photographed himself and his immediate environment in ways that rendered them poetic. In both still images and in his few forays with a hand-held moving-picture camera, Munch not only archived images, but invented them.

 

Edvard Munch / Self-Portrait with Model for a National Monument, Kragerø

Edvard Munch / Paintings in the Winter Studio in Ekely

Edvard Munch /Self-Portrait in Pro le Indoors in Åsgårdstrand

On loan from the Munch Museum in Oslo, Norway, the approximately 50 copy prints in the exhibition and the continuous screening of the DVD containing Munch’s films will be accompanied by contextualizing didactic panels. One will be historical and biographical, and the others will examine Munch’s photographic exploration. Similarly to the ways in which the artist invented techniques and approaches to painting and graphic art, Munch’s informal photography both honored the material before his lens and transmuted it into uncommon motifs. This exhibition includes Munch’s experimental portraiture of friends and family as well as his self-portraiture, including images from what he termed his “Fatal Destiny” portfolio, staged between 1902 and 1908. It will coincide with, and complement, the exhibition Edvard Munch: Between the Clock and the Bed, on view at the Metropolitan Museum of Art. It has been organized by the American-Scandinavian Foundation in partnership with The Munch Museum in Oslo, Norway.

 

The Experimental Self: Edvard Munch’s Photography
November 21, 2017 – March 5, 2018 / Scandinavia House

Linda Rugg / January 25, 2018
Lecture: Head to Head: Edvard Munch, August Strindberg, and Photographic Self-Representation.

Please visit the exhibition page >

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