This is the first book to present a comprehensive overview of Nan Goldin’s work as a filmmaker. Accompanying the retrospective show and tour of the same name, organized by Moderna Museet, Stockholm, the book draws from the nearly dozen slideshows and films (more…)

What is it that we actually see when we look at Thomas Demand’s photographs? Demand, born in Munich in 1964, has spent almost three decades exploring the intersections of history, images, and architectural forms. (more…)

In his famous text Stranger in the Village, the US-American writer James Baldwin addressed the racism that informed his stay in Switzerland in the 1950s. Baldwin’s words continue to inspire many artists to this day. They hold up a mirror to us as a society and have lost none of their relevance. (more…)

Chantal Joffe brings a combination of insight and integrity, as well as psychological and emotional force, to the genre of figurative art. Hers is a deceptively casual brushstroke. (more…)

The practice of Alexandra Bachzetsis unfolds at the intersection of dance, performance, the visual arts and theatre, generating a conflation of the spaces in which the body, as an artistic and critical apparatus, can manifest. (more…)

Using subtle methods and an economy of materials, Fred Sandback’s work creates striking perceptual effects in response to the surrounding architecture. (more…)

Peres Projects is pleased to present Misterios inscritos en tela, Paolo Salvador’s (b. 1990 in Lima, PE) fourth solo exhibition with the gallery, and his first at our Seoul gallery. In his analysis of Francis Bacon’s Figures, Gilles Deleuze pondered one of the perennial questions in postmodern painting: how does one make invisible forces visible? (more…)

International Women’s Day: Founded over a hundred years ago evolving through various names and dates, this fulcrum of women’s rights was adopted by the United Nations only in 1975 and is still largely overlooked in many countries. (more…)

Here is a radio tower standing tall, which looks like a monument soaring up with some revolutionary force. This is Paik’s Transmission Tower. Shown only at the Rockefeller Center, New York in 2002 and at the Sydney Opera House in 2004, it found its permanent home at Nam June Paik Art Center. (more…)