World Press Photo Expo 2017
2017–2018 / Various venues

 

The event showcases the photography from the winners of one of the most prestigious professional competitions in the world. In 2016, 5000 photographers from 125 countries submitted a total of 80,000 images.

Since the first award ceremony in 1955, the World Press Photo has become the most esteemed photojournalism event. –The New York Times

 

 

 

 

 

 

 

 

The exhibition of award-winning photos is shown worldwide in 100 cities and 45 countries, reaching a global audience of 4 million people each year.

Helsinki, Finland / Through September 6, 2017
Mexico City, Mexico / Through September 24, 2017
Palermo, Italy / Through September 24, 2017
Montreal, Canada / Through October 1, 2017
Perpignan, France / Through September 22, 2017
Erfurt, Germany / Through September 14, 2017
Saitama, Japan / From September 6 – 18, 2017
Jakarta, Indonesia / From September 7-28, 2017
Vienna, Austria / September 15 – October 22, 2017
Taipei, Taiwan / October 27-November 19, 2017
London, United Kingdom / November 3-20, 2017
Rotterdam, The Netherlands / January 20 – February 9, 2018

For other dates and locations, please visit the Exhibition Page >

Dorothea Lange. Tales of Life and Work
Camera / Jul 19 – Oct 8, 2023
Dorothea Lange's photography, now nearly a hundred years later, continues to resound in its portrayal of a time and...
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Momentum 12: Together As To Gather
Jun 10 – Oct 8, 2023
For the biennale, Tenthaus practices a gathering methodology. The intention is to begin from the practices of the artists...
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Joel Sternfeld: American Prospects
Sep 28, 2023 – Jan 21, 2024
American Prospects has enjoyed a life of acclaim. Its pages are filled with unexpected excitement, despair, tenderness and hope....
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REGENERATE
Jun 23 – Dec 10, 2023
With REGENERATE as its theme, the festival brings together works that explore the changes modern society must face, seeing...
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The Unspoken Things
Photo Series
The Unspoken Things series is inspired by ethnographic texts that deal with the body as a cultural phenomenon, drawing...
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ARTPIL / Prescription .142
White heat. A Green River.
A bridge, scorched yellow palms from the summer-sleeping house drowsing through August. Days I have held, days I have...
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Rencontres d’Arles 2023
A State of Consciousness
Every year, Rencontres d’Arles captures our world’s state of consciousness. Its photographers, artists, and curators help us to see...
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Edith Dekyndt / L’Origine des Choses
Feb 8 – Dec 12, 2023
Inspired by Bruno Latour’s “actants” Edith Dekyndt defines her compositions and her objects as “patient” because all these objects...
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Dorothea Lange. Tales of Life and Work
Camera / Jul 19 – Oct 8, 2023
Dorothea Lange's photography, now nearly a hundred years later, continues to resound in its portrayal of a time and...
+
Momentum 12: Together As To Gather
Jun 10 – Oct 8, 2023
For the biennale, Tenthaus practices a gathering methodology. The intention is to begin from the practices of the artists...
+
Joel Sternfeld: American Prospects
Sep 28, 2023 – Jan 21, 2024
American Prospects has enjoyed a life of acclaim. Its pages are filled with unexpected excitement, despair, tenderness and hope. Its fears are expressed in beauty, its sadnesses in irony.
+
REGENERATE
Jun 23 – Dec 10, 2023
With REGENERATE as its theme, the festival brings together works that explore the changes modern society must face, seeing...
+
The Unspoken Things
Photo Series
The Unspoken Things series is inspired by ethnographic texts that deal with the body as a cultural phenomenon, drawing...
+
ARTPIL / Prescription .142
White heat. A Green River.
A bridge, scorched yellow palms from the summer-sleeping house drowsing through August. Days I have held, days I have lost, days that outgrow
+
Rencontres d’Arles 2023
A State of Consciousness
Every year, Rencontres d’Arles captures our world’s state of consciousness. Its photographers, artists, and curators help us to see...
+
Edith Dekyndt / L’Origine des Choses
Feb 8 – Dec 12, 2023
Inspired by Bruno Latour’s “actants” Edith Dekyndt defines her compositions and her objects as “patient” because all these objects...
+