For over a hundred years the OGR – Officine Grandi Riparazioni, an imposing late XIX century industrial complex drove the town’s growth. Abandonment and dereliction ensuing the early 1990s closure, led to their planned demolition, luckily averted. In 2013 Fondazione CRT purchased the 20,000 sq.m. H-shaped building, the offices and the yards and, through Società OGR-CRT, their redevelopment began.
One thousand days were required to return them to Turin, converted into a new heart beating on creativity, culture and shows, projected towards the world. One hundred million euros invested by Fondazione CRT to bring back to life the OGR, the “cathedral” of Turin’s industrial history. Hi-tech solutions, environmental sustainability, historical preservation, versatility of spaces and accessibility for all: these were the specifications behind the radical refurbishment and conversion of the OGR: from former train repairs Workshops to new Workshops for contemporary culture, innovation and business acceleration, with a marked international stance.

For over a hundred years the OGR – Officine Grandi Riparazioni, an imposing late XIX century industrial complex drove the town’s growth. Abandonment and dereliction ensuing the early 1990s closure, led to their planned demolition, luckily averted. In 2013 Fondazione CRT purchased the 20,000 sq.m. H-shaped building, the offices and the yards and, through Società OGR-CRT, their redevelopment began.
One thousand days were required to return them to Turin, converted into a new heart beating on creativity, culture and shows, projected towards the world. One hundred million euros invested by Fondazione CRT to bring back to life the OGR, the “cathedral” of Turin’s industrial history. Hi-tech solutions, environmental sustainability, historical preservation, versatility of spaces and accessibility for all: these were the specifications behind the radical refurbishment and conversion of the OGR: from former train repairs Workshops to new Workshops for contemporary culture, innovation and business acceleration, with a marked international stance.

“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.
The UK’s first exhibition on Elsa Schiaparelli spans the 1920s to today, celebrating the innovative designer’s influence. It traces the fashion house’s groundbreaking origins and its evolution under current creative director Daniel Roseberry.
Julie Bullard, a work of photographic fiction by Nadia Lee Cohen and Martin Parr. The book is designed as a late-seventies photo album, closely modelled on an example acquired from eBay, complete with faux leather spongy board covers…