More than any other modern poet, Wallace Stevens was concerned with the transformative power of the imagination. (more…)
Overgaden annually presents around ten exhibitions of new Danish and international contemporary art and has the solo show as its focal point. With these solo shows, Overgaden produces newly produced contemporary art projects at the highest artistic level crossing media and generations. An important part of Overgaden’s profile also consists of experimenting with exhibition formats and the relationship between artists, art institution, and audience.
Overgaden prioritizes close contact with the art scenes and on a running basis presents a large program of events, talks, and performances in collaboration with art professionals from Denmark and abroad. Equally, it is a central part of Overgaden’s identity to function as a generator for debate and knowledge about contemporary art and its role in society.
Overgaden is an independent institution with a board consisting of Mikkel Bogh (chairman), director of The National Gallery of Denmark, Gitte Ørskou, director of KUNSTEN, Ruth Campau, artist, Mette Winckelmann, artist, Caroline Søeborg Ahlefeldt-Laurvig-Bille, CEO, Ebbe Stub Wittrup, artist, and Jens Lund Mosbek, lawyer, Kromann Reumert.
More than any other modern poet, Wallace Stevens was concerned with the transformative power of the imagination. (more…)
Art has the power to investigate society and present alternative interpretations of our shared world. Works featured in ARS22 explore the everyday lives and dreams of individuals and communities. They raise questions about our relationship with the world (more…)
Max Beckmann (1884–1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. (more…)
Joseph Beuys was born in 1921, in Krefeld, Germany. During his school years in Kleve, Beuys was exposed to the work of Achilles Moortgat, whose studio he often visited, and was inspired by the sculptures of Wilhelm Lehmbruck. (more…)
Mouse on Mars is one of Germany’s most eccentric and remarkable electronic music projects. With an anarchic hybrid sound swinging between uncontrolled chaos and meticulously arranged structures, Andi Toma and Jan St. Werner have created a unique musical idiom that nonetheless never settles into definite form (more…)
How is technological innovation dependent on raw materials? This question is center-stage in the exhibition Charging Myths by On-Trade-Off. This artists-collective traces the origins of lithium by starting from Manono, Democratic Republic of the Congo. (more…)
Feliza Bursztyn: Welding Madness is the first museum retrospective of Colombian artist Feliza Bursztyn to be presented outside of her home country. Bringing together approximately 50 sculptures, films and installations as well as archival material (more…)
William Eggleston is one of the most influential photographers of the latter half of the 20th century, credited with pioneering fine art color photography in his iconic depictions of the American South. (more…)
Chantal Joffe brings a combination of insight and integrity, as well as psychological and emotional force, to the genre of figurative art. Hers is a deceptively casual brushstroke. (more…)