Sons of Cain, written and directed by Keti Stamo, is set in a small village in northern Albania. In this place, time is suspended and the severe rules of an old code, Kanun, still dictate the life and death of the inhabitants.. (more…)
Panopticon Gallery (est. 1971) is one of the oldest fine art photography galleries in the United States. Located inside Hotel Commonwealth in Boston, MA, Panopticon exhibits contemporary photography by emerging and established photographers from around the globe.
Exhibitions have included Alfred Stieglitz, Alvin Langdon Coburn, Garry Winogrand, Steven Frank and Melissa Breyer, among others.
Kat Kiernan of Don’t Take Pictures was recently named Director of Panopticon Gallery.
Sons of Cain, written and directed by Keti Stamo, is set in a small village in northern Albania. In this place, time is suspended and the severe rules of an old code, Kanun, still dictate the life and death of the inhabitants.. (more…)
For his 2022 New Museum Residency, movement artist and researcher Ilya Vidrin investigates the labor and moral textures of intimate physical care through discussion, experimental workshops, and live performance. (more…)
With Anselm Kiefer contemporary art comes to the Palazzo Ducale, with an exhibition as the centerpiece of the fifth edition of MUVE Contemporaneo, the biennale organized by the Fondazione Musei Civici di Venezia (more…)
Doug Aitken is an American artist and filmmaker. Defying definitions of genre, he explores every medium, from film and installations to architectural interventions. (more…)
Over the last two decades, Nairy Baghramian has created sculptures, photographic works and drawings that explore the relationships between architecture, everyday objects, and the human body. (more…)
“History of art is a history of great things neglected and ignored and mediocre things being admired. At different times things are different. The history of photography is a history of changes.” –Saul Leiter (more…)
We have fundamentally altered the earth’s ecosystem by disrupting the natural rhythm of our planet and in doing so have created a new chapter in the evolution of Earth and a new stage of uncertainty.
The work of Dineo Seshee Bopape is characterized by the use of organic and highly symbolic materials that allude to the concepts of memory, identity, and belonging. Soil is one of the most recognizable materials in her practice, and it is often mixed with other substances such as coal, ash, and clay (more…)
Tubes, chains, and wires seem to resemble organic contraptions as they loop, glide, and snake around and into each other. These appliances are stiff or pliable when tension is applied, moving slowly yet fitfully. The water, oil, and grime flowing all around emphasizes the angular rigidity of the metal (more…)