The United Nations General Assembly has designated today International Day for the Elimination of Violence Against Women. Today we would like to once again celebrate the women who have inspired and created in the art world.
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Beyond Freedom
Para Site
Art Center / Hong Kong
Para Site is Hong Kong’s leading contemporary art centre and one of the oldest and most active independent art institutions in Asia. It produces exhibitions, publications, discursive, and educational projects aimed at forging a critical understanding of local and international phenomena in art and society.
Founded in early 1996 as an artist run space, Para Site was Hong Kong’s first exhibition-making institution of contemporary art and a crucial self-organized structure within the city’s civil society, during the uncertain period preceding its handover to Mainland China. Throughout the years, Para Site has grown into a contemporary art centre, engaged in a wide array of activities and collaborations with other art institutions, museums, and academic structures in Hong Kong and the international landscape. In early 2015, Para Site moved to greatly increased premises, in North Point/Quarry Bay. Throughout its history, Para Site’s activities have included a range of different formats, among which P/S magazine (1997–2006), a bilingual publication, which was Hong Kong’s first visual arts magazine and a central platform for the development of art writing and of a discursive scene in the city and the Curatorial Training Programme (2007–2010). Since 2012, Para Site has been running an International Art Residency Programme and has been organizing an annual international conference. This is accompanied, starting from 2015, by a new educational format aimed at training young curators and other art professionals. Para Site’s activities are made possible by the generous support of its patrons, and grants from foundations and the Government of the HKSAR.
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An Opera for Animals
Ali Cherri
An Opera for Animals
Bicycle Thieves
Doreen Chan
Courses of Action
Bicycle Thieves
Goethe Institut Hong Kong
Lunar Industries Limited
PS.SCREEN Collective:unconscious
Para Site
Para Site
Authored Articles
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Katy Moran / Recent PaintingsJan 11 – Feb 19, 2020
Recently described as an “abstract painter of figurative mood,” Katy Moran enlists a wide scope of mark-making to conjure different atmospheres in each painting, every chosen surface being readymade.
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Southern Rites / Gillian LaubVarious engagements / 2020
This small town symbolized the archetype of pastoral American life. Yet this idyllic place was also held hostage by a dark past, manifesting in the racial tensions that scar much of American history.
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What We Found After You Left / Naeem MohaiemenSep 21, 2019 – May 10, 2020
While focusing on moments of mistake and misrecognition, Naeem Mohaiemen’s research into aspirations towards utopia during the Cold War era, manifested through decolonization, revolution, and independence.
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Martin Parr – Early WorksRRB Photobooks
RRB Photobooks & the Martin Parr Foundation are delighted to present Martin Parr – Early Works. The book covers the early part of Parr’s career, comprised of images shot between 1970 and 1984, mainly in the north of England and Ireland. (more…)
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Towards No Earthly Pole / Julian CharrièreJan 31 – Mar 21, 2020
Filmed at night, the dazzling landscapes captured are dramatically lit by a spotlight carried on a drone; as light tracks across the dark terrain, incredible shapes and tonalities are revealed. Sean Kelly Gallery is pleased to present Towards No Earthly Pole, Julian Charrière (more…)
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Worlds in MotionSep 21, 2019 – Apr 13, 2020
Mudam Luxembourg presents Worlds in Motion, a thematic presentation of works from the Mudam Collection that embody movement as a physical and perceptual event.
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In The Next Door RoomPhotography of Lise Sarfati
The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability (more…)
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Helene Schmitz: Thinking Like a MountainDec 14, 2019 – Mar 15, 2020
“I wanted to portray the violent transformation of nature in the European periphery. I have experienced that the concept of wilderness, and virgin land untouched by humans, has disintegrated.” –Helene Schmitz
