William Eggleston is one of the most influential photographers of the latter half of the 20th century, credited with pioneering fine art color photography in his iconic depictions of the American South. (more…)
•
Postcommodity
Arts Collective
Postcommodity is an interdisciplinary arts collective comprised of Cristóbal Martínez, and Kade L. Twist. Postcommodity’s art functions as a shared Indigenous lens and voice to engage the assaultive manifestations of the global market and its supporting institutions, public perceptions, beliefs, and individual actions that comprise the ever-expanding, multinational, multiracial and multiethnic colonizing force that is defining the 21st Century through ever increasing velocities and complex forms of violence. Postcommodity works to forge new metaphors capable of rationalizing our shared experiences within this increasingly challenging contemporary environment; promote a constructive discourse that challenges the social, political and economic processes that are destabilizing communities and geographies; and connect Indigenous narratives of cultural self-determination with the broader public sphere. Postcommodity are the recipients of grants from the Joan Mitchell Foundation (2010), Creative Capital (2012), Art Matters (2013), Native Arts and Cultures Foundation (2014), and the Mid Atlantic Arts Foundation (2017). The collective has been exhibited nationally and internationally, including: Contour the 5th Biennial of the Moving Image in Mechelen, BE; Nuit Blanche, Toronto, CA; 18th Biennale of Sydney; Scottsdale Museum of Contemporary Art in Scottsdale, AZ; 2017 Whitney Biennial, New York; Art in General, New York; Documenta 14, Athens, GR and Kassel, DE; and their historic land art installation Repellent Fence at the U.S./Mexico border near Douglas, AZ and Agua Prieta, SON.
Postcommodity acknowledges the important contributions of its previous collaborators: Steven Yazzie (2007-2010), Nathan Young (2007-2015), Adam Ingram-Goble (Game Remains), Andrew McCord (If History Moves at the Speed of Its Weapons, Then the Shape of the Arrow is Changing, and Promoting a More Just, Verdant and Harmonious Resolution), Annabel Wong (Dead River) and Existence AD (Dead River).
Postcommodity is represented by Bockley Gallery, Minneapolis, MN.
•
RELATED ARTICLES
-
Sacha TurchiArtist
Sacha Turchi currently lives and works in Italy and collaborates with various visual and sound artists. The interactions between individual and nature, body and psyche, constitutes the essential matrix of her research. (more…)
-
The Anonymous ProjectThe Collection
Anonymous, this is not about any one person or a particular artist. This project is akin to finding fading pages from an anonymous diary and placing them in a time capsule for future generations.
-
Flavio-ShiróA Documentary
Flavio-Shiró is a cult artist, a painter’s painter. His work defies categorization or association with any artistic group or movement. For more than six decades, his work has simply been modern.
-
FOLIO/IstanbulThierry Clech
From the Black Sea, in foggy weather, we navigate along the Bosphorus towards the Golden Horn. From one side of the strait to the other, white marble palaces appear as if emerging from a dream. (more…)
-
Nan GoldinPhotographer
Nan Goldin is an American photographer known for her deeply personal and candid portraiture. Goldin’s images act as a visual autobiography documenting herself and those closest to her. (more…)
-
On the Peripheryby Sinziana Velicescu
Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space.
-
Alex PragerPhotographer
Prager’s works are in collections of National Gallery of Victoria, Melbourne, The Museum of Modern Art, New York, The Whitney Museum of American Art, New York, Kunsthaus Zürich, Moderna Museet, Stockholm, and San Francisco Museum of Modern Art.
-
Interview with Saul LeiterBy David Gibson
“History of art is a history of great things neglected and ignored and mediocre things being admired. At different times things are different. The history of photography is a history of changes.” –Saul Leiter (more…)
