Dario Maglionico was born in Naples in 1986. After graduating in Biomedical Engineering at the Polytechnic University of Milan, from 2014 he lived and worked in Milan, devoting himself exclusively to painting. (more…)
Born in San Francisco, Quetzal Maucci is an Argentinian and Peruvian American photographer based in London and part of Women Photograph. Through her work, she is interested in challenging systemic values and social constructs by using documentary approaches and storytelling. In 2021, she graduated with a Master’s Distinction degree in Photojournalism and Documentary Photography from London College of Communication. Recently, she was longlisted for the Jerwood/Photoworks Award and the Royal Photographic Society’s International Exhibition 163. She was also shortlisted for the Then and Now in America grant by British Journal of Photography, Portrait of Humanity Award, and the Belfast Photo Festival. In 2020, her Children of Immigrants project won the British Journal of Photography Open Walls award and was exhibited at Galerie Unit Arles in France. She received her Bachelor of Fine Arts Honors degree in Photography and Imaging from New York University.
Her recent and ongoing work, Baci, Piccoli Baci, Grandi Baci, is about meeting her father for the first time. Within this project, she layers her own photography with interviews, poems, family imagery, and interventions. Her dummy book for this work was shortlisted for the 2021 Images Vevey Book Award. Her long-term personal project, Children of Immigrants, was published in The New York Times, which explores and interviews the community of children of immigrants in the United States and United Kingdom. A part of this project is permanently exhibited in the New Americans Museum. Overall, Quetzal seeks to create space for personal therapeutic processes while dismantling and exploring ideas surrounding immigration, connection, family dynamics, and identity.
Dario Maglionico was born in Naples in 1986. After graduating in Biomedical Engineering at the Polytechnic University of Milan, from 2014 he lived and worked in Milan, devoting himself exclusively to painting. (more…)
More than any other modern poet, Wallace Stevens was concerned with the transformative power of the imagination. (more…)
Mouse on Mars is one of Germany’s most eccentric and remarkable electronic music projects. With an anarchic hybrid sound swinging between uncontrolled chaos and meticulously arranged structures, Andi Toma and Jan St. Werner have created a unique musical idiom that nonetheless never settles into definite form (more…)
Since 2002, the Otolith Group (Anjalika Sagar, b. 1968, London; and Kodwo Eshun, b. 1966, London) has produced films, audio works, installations, exhibitions, and texts informed by extensive research, decolonial thinking and transcultural friendship. (more…)
Ultra Unreal is an exhibition of fantastical worlds simulating more-than-human futures, evolving belief systems and fluid frameworks of being. Featuring six artists and collectives whose world-building practices are connected to nightlife ecosystems across the globe (more…)
Here we are again, this time, rounding out our fifth year with over 3,000 Articles and Profiles in our growing archive and nearly 3 million visits strong. A very exciting journey it has been, indeed. With our fifth year anniversary Prescription, we continue to move forward. (more…)
From explorations of the ways in which fashion lends itself to self-representation to investigations into the economic and ecological effects of ‘fast fashion,’ the exhibition reveals how clothing becomes a means of activism and protest. (more…)
Marc Lagrange (1957-2015) was born in Kinshasa, Congo. His career path led him from engineering to photography, and his creativity from fashion to art. (more…)
As of Friday, February 25, 2022, The Calvert Journal ceased publication until further notice. At a time when Russian acts of war are being committed in Ukraine, we cannot in good conscience continue our work covering culture and the arts like business as usual. (more…)