More than any other modern poet, Wallace Stevens was concerned with the transformative power of the imagination. (more…)
Born in Bern in 1984, Rachael Woodson is an American artist who lives and works in Paris. After finishing a Bachelor of Fine Arts in Photography at the School of Visual Arts (New York) and an artist residency at l’École Nationale Supérieure de la Photographie (Arles, France), she completed a Master in Photography and Contemporary Art at l’Université de Paris 8 in 2016. She continues to participate in research groups and collaborations that consider the photographic medium in a larger, interdisciplinary context. Her work methods favor forms that reuse and reactivate images from the archive, that focus on process as opposed to finality and that allow for a fluidity between different artistic gestures. The objective is not to arrive at any one definitive response, but to react, and to propose atmospheres of energy and contemplation. Her work has been exhibited in galleries and independent art spaces in France, the United States and Japan.
These are photographs from two ongoing series. The first, Band of Outsiders, followed my two brothers during the years after our father’s death in 2001. While photographing their lives I also drew on feelings of isolation from my own youth. The project challenges the notion of childhood as a period of naïveté and simplicity and explores moments of detachment that are experienced in times of fragility and uncertainty. The concept for my latest project, Disconnected, stems directly from this series of my brothers. Photographing them opened up an insight towards moments of detachment, whether found in the look on someone’s face or a scene that I happen upon. Photographing these scenarios allows me to investigate ideas of abandonment, disconnection and isolation in a more abstract manner.
More than any other modern poet, Wallace Stevens was concerned with the transformative power of the imagination. (more…)
M Leuven presents HOUSE OF CARD, a major retrospective of the work of the German artist Thomas Demand, with contributions by Arno Brandlhuber, Martin Boyce, Caruso St John and Rirkrit Tiravanija. (more…)
Angela Davis Johnson creates paintings, public art installations, and ritual performances to examine the technologies of black people, in particular black women/femme. (more…)
“The real value of this expansion is not more space, but space that allows us to rethink the experience of art in the Museum.” –Glenn D. Lowry, The David Rockefeller Director (more…)
Dance is my life. It has kept me alive. Performance is a natural extension of it and through it. I’ve made my most cherished human connections. (more…)
Darkest Hour, this pearl of stylish and emotive documentary was directed by Thomas Ralph, just after the initial Brexit referendum over four years ago (more…)
William Kentridge (b. 1955, Johannesburg) has been making art for more than four decades. Anchored in the practice of drawing, his extensive oeuvre encompasses filmed animation, performance, theatre and opera. (more…)
For six decades, World Press Photo has been expanding its mission as an independent nonprofit, drawing on experience to guide visual journalists, storytellers, and audiences around the world.
After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.