With sound, performance and bold expression, the exhibition Make Some Noise: Desire. Stage. Change. encourages movement and change.

After the success of the exhibition “Fashion Folklore”, the Mucem dedicates its 2026 season to Mossi Traoré, a singular voice on the French fashion scene, for whom couture becomes a field of experimentation...

One of Sweden’s leading contemporary photographers, Lotta Antonsson, is coming to Fotografiska with I Am Everything. In this exhibition, the artist explores themes of gender, identity, and objectification within a visual world

Born Dorothea Nutzhorn on May 26, 1895 in Hoboken, New Jersey, Dorothea Lange had a difficult childhood, contracting polio when she was seven. The illness left her right leg and foot weakened and she walked with a noticeable limp for the rest of her life.

i-D has built its reputation on being a consistent source of inspiration in fashion culture. It began as a fanzine dedicated to the street style of punk-era London in 1980, and quickly earned its position at the vanguard of fashion and style, abiding by the premise of originate – don’t imitate.

Jasper Johns was an artist that came onto the scene in the 1950s. Much of the work that he created led the American public away from the expressionism form, and towards an art movement or form known as the concrete.

For more than five decades, sound artist and composer Christina Kubisch (born in 1948 in Bremen) has been making artworks at the intersection of visual art and music, combining composition, installation, performance, drawing, video, and electronic music.

Housekeeping in a Dangerous Time looks into artistic practices that engage with the contemporary forces shaping intergenerational ties and the distinctions between life stages.

Reflecting on loss, resilience and the power of rebuilding, “Forever Marked By The Day: A Quarter Century of Mourning and Renewal” marks 25 years since the attacks on Sept. 11, 2001. Approached through an architectural lens, the exhibition fosters intergenerational dialogue...

Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.

The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…

Julie Bullard, a work of photographic fiction by Nadia Lee Cohen and Martin Parr. The book is designed as a late-seventies photo album, closely modelled on an example acquired from eBay, complete with faux leather spongy board covers…

‘The Coming of Age’ features more than 120 artworks and objects, including historical artefacts and works by contemporary artists including John Coplans, Serena Korda, Suzanne Lacy, Anna Maria Maiolino, Rory Pilgrim, Paula Rego and more.

With PUBLIC AND BEYOND JUDGMENT, the G2 Kunsthalle presents the first institutional solo exhibition of New York-based painter Jeanette Mundt in Germany. In addition to paintings, the artist created a site-specific mural for the exhibition.

Everything has edges. Has contours. An object or an image always begins somewhere and ends somewhere else, rubbing into whatever is nearby on either side. These edges indicate the area where something meets its own exterior...

World Press Photo is an independent non-profit organization that champions the power of photojournalism and documentary photography to deepen understanding of the world’s complexities, promote dialogue, and inspire action.

In a softly shimmering blue, then brown, then green, then gray, then pink, then green, then violet, then blue again, the colors of present day New Mexico landscapes are layered horizontally.

Ordinary Grief is a story of tenuous reconciliation. In 2017, I returned to Iran after 25 years of self-exile, where I embarked on a personal and political reclamation of my identity and history.