Raoul De Keyser Angouleme, 1994 Oil on canvas, 55×31,5cm Collection S.M.A.K.: long-term loan of the Collection of the Flemish Community Photo credit: Dirk Pauwels © Family Raoul De Keyser | SABAM Belgium 2018
Hugh Mendes
Raoul De Keyser
Artist

For nearly fifty years, Raoul De Keyser (1930-2012) created subtly evocative paintings and works on paper which appear at once straightforward and cryptic, abstract and figurative. Composed of basic but indefinable shapes and marks, his works often invoke spatial and figural illusions, though they remain elusive of any descriptive narrative. Despite – or precisely because of – their sparse gesturing, De Keyser’s works convey a grandeur that inspires prolonged contemplation. Individually as well as collectively, his works revolve around the activity of painting, but also move beyond its physical means to become more than the sum of their parts. Their apparent simplicity belies a lengthy gestation period, which is guided largely by intuition, rather than by following a pre-existing plan.

Major surveys of the artist’s paintings and retrospectives have been presented at Whitechapel Gallery, London; Musée de Rochechouart, France; Kunstmuseum St. Gallen, Switzerland; Kunstmuseum Bonn, Germany. Other venues that have hosted important solo exhibitions over the past decade include the S.M.A.K. / Stedelijk Museum voor Actuele Kunst, Ghent (2001).

Work by the artist is held in permanent collections worldwide, including Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; San Francisco Museum of Modern Art, among many others.

[Galerie David Zwirner]

Raoul De Keyser
Artist

For nearly fifty years, Raoul De Keyser (1930-2012) created subtly evocative paintings and works on paper which appear at once straightforward and cryptic, abstract and figurative. Composed of basic but indefinable shapes and marks, his works often invoke spatial and figural illusions, though they remain elusive of any descriptive narrative. Despite – or precisely because of – their sparse gesturing, De Keyser’s works convey a grandeur that inspires prolonged contemplation. Individually as well as collectively, his works revolve around the activity of painting, but also move beyond its physical means to become more than the sum of their parts. Their apparent simplicity belies a lengthy gestation period, which is guided largely by intuition, rather than by following a pre-existing plan.

Major surveys of the artist’s paintings and retrospectives have been presented at Whitechapel Gallery, London; Musée de Rochechouart, France; Kunstmuseum St. Gallen, Switzerland; Kunstmuseum Bonn, Germany. Other venues that have hosted important solo exhibitions over the past decade include the S.M.A.K. / Stedelijk Museum voor Actuele Kunst, Ghent (2001).

Work by the artist is held in permanent collections worldwide, including Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; San Francisco Museum of Modern Art, among many others.

[Galerie David Zwirner]

Raoul De Keyser Angouleme, 1994 Oil on canvas, 55×31,5cm Collection S.M.A.K.: long-term loan of the Collection of the Flemish Community Photo credit: Dirk Pauwels © Family Raoul De Keyser | SABAM Belgium 2018
  • Chris Johanson
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    Altman Siegel
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    In a special exhibition, Altman Siegel is pleased to present a monumental and historic work by Chris Johanson. Exhibited for the first time since 2000, this painted triptych, Untitled, offers a rare insight into Johanson’s early large-scale works. Known for his observant nature, Johanson was invited to participate in Glen Helfand’s 1999 exhibition, “Museum Pieces,” about the history of the de Young Museum. (more…)
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