Born in Vienna, Raoul Hausmann was the son of a portrait and history painter. When he was four, the family moved to Berlin. After receiving academic training in painting and sculpture, Hausmann in 1917 began to paint in an Expressionist style, and he also began to publish polemical art criticism. In 1915 he met the artist Hannah Höch, with whom he lived until 1922. From 1918 to 1920, Hausmann and Höch were key members of the Berlin Dada group, contributing decisively to the development of Dada photomontage. In 1927 Hausmann began to make his own photographs, which were published in avant-garde magazines such as a bis z. When the Nazis came to power in 1933, Hausmann left Germany, and in subsequent years lived in Ibiza, Paris, Zurich, Prague, and finally Limoges. After World War II, he resumed active work in painting, photography, and photomontage, and in 1967 received his first retrospective at the Moderna Museet in Stockholm.
[ICP]
Born in Vienna, Raoul Hausmann was the son of a portrait and history painter. When he was four, the family moved to Berlin. After receiving academic training in painting and sculpture, Hausmann in 1917 began to paint in an Expressionist style, and he also began to publish polemical art criticism. In 1915 he met the artist Hannah Höch, with whom he lived until 1922. From 1918 to 1920, Hausmann and Höch were key members of the Berlin Dada group, contributing decisively to the development of Dada photomontage. In 1927 Hausmann began to make his own photographs, which were published in avant-garde magazines such as a bis z. When the Nazis came to power in 1933, Hausmann left Germany, and in subsequent years lived in Ibiza, Paris, Zurich, Prague, and finally Limoges. After World War II, he resumed active work in painting, photography, and photomontage, and in 1967 received his first retrospective at the Moderna Museet in Stockholm.
[ICP]
Julie Bullard, a work of photographic fiction by Nadia Lee Cohen and Martin Parr. The book is designed as a late-seventies photo album, closely modelled on an example acquired from eBay, complete with faux leather spongy board covers…
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975