Rebeca Romero is an interdisciplinary artist born in Peru and based in London.
Through a range of media that includes sculpture, ceramics, textiles, sound, performance and video, she explores concepts of diasporic identity, truth, fiction, and their relationship to the digital age.
Often combining Pre-Columbian iconography with advanced scanning and printing technologies and materials ranging from clay to plastic, her works swing drastically between the past and an alternate future. Examining the story-telling potential of artefacts, Romero looks into the intervention of the digital archive as a history-making technique. Online museum archives become an excavation ground for the collection of data that she later recontextualizes, reassembles and re-presents.
With a focus on new materialities, processes of production and collaboration between artist and machine, her work seeks to question ideas and practices of representation, appropriation and authorship. The recent inclusion of AI image generators into her work proposes a further re-understanding of hegemonic notions of intelligence, technology and knowledge.
Rebeca Romero is an interdisciplinary artist born in Peru and based in London.
Through a range of media that includes sculpture, ceramics, textiles, sound, performance and video, she explores concepts of diasporic identity, truth, fiction, and their relationship to the digital age.
Often combining Pre-Columbian iconography with advanced scanning and printing technologies and materials ranging from clay to plastic, her works swing drastically between the past and an alternate future. Examining the story-telling potential of artefacts, Romero looks into the intervention of the digital archive as a history-making technique. Online museum archives become an excavation ground for the collection of data that she later recontextualizes, reassembles and re-presents.
With a focus on new materialities, processes of production and collaboration between artist and machine, her work seeks to question ideas and practices of representation, appropriation and authorship. The recent inclusion of AI image generators into her work proposes a further re-understanding of hegemonic notions of intelligence, technology and knowledge.
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Argo: Movements of Inner and Outer NatureGwendolyn Hope GussmanArgo is a creative residency program and project space in Athens, Greece. We are open to visual artists, writers, performers, musicians, scholars, and any other creative discipline. Each residency includes accommodation, studio space, research support, and participation in a creative community.
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i-DMagazinei-D has built its reputation on being a consistent source of inspiration in fashion culture. It began as a fanzine dedicated to the street style of punk-era London in 1980, and quickly earned its position at the vanguard of fashion and style, abiding by the premise of originate – don’t imitate.
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It’s a Pink Area: Marc Kokopeli and Sydney SchraderApr 11 – Oct 4, 2026Everything has edges. Has contours. An object or an image always begins somewhere and ends somewhere else, rubbing into whatever is nearby on either side. These edges indicate the area where something meets its own exterior...
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Robert Rauschenberg & the NewsFeb 19, 2026 – Jan 4, 2027The New School Art Collection and the Vera List Center for Art and Politics are pleased to present Robert Rauschenberg & the News: Select Prints from The New School Art Collection...
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Julie Bullard / Nadia Lee Cohen & Martin ParrPublication
Julie Bullard, a work of photographic fiction by Nadia Lee Cohen and Martin Parr. The book is designed as a late-seventies photo album, closely modelled on an example acquired from eBay, complete with faux leather spongy board covers…
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Ralph Steadman: And Another ThingAug 26 – Dec 13, 2026Ralph Steadman is one of the most influential British graphic artists of the last 50 years. He is famous for his long collaboration with Hunter S. Thompson, notably illustrating Fear and Loathing in Las Vegas, which inspired two films in 1979 and 1998.
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Todd Hido: #2424-1, 1999 / #3878, 2005from the series Between the TwoPrinted Matter is thrilled to announce the second [#2424-1, 1999] and third [#3878, 2005] in a series of three fundraising Risograph-print editions by the artist Todd Hido. These two images bookend Hido’s most recent Risograph print...
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Calculating Empires / Kate Crawford & Vladan JolerNov 27, 2025 – Jan 31, 2027The monumental installation Calculating Empires impressively demonstrates how power and technology have been intertwined for centuries. The work, by artist-researchers Kate Crawford and Vladan Joler, and has been acquired by Rijksmuseum Twenthe...
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Christina Kubisch. The Emergence of SoundMay 24 – Sep 20, 2026For more than five decades, sound artist and composer Christina Kubisch (born in 1948 in Bremen) has been making artworks at the intersection of visual art and music, combining composition, installation, performance, drawing, video, and electronic music.
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39th Panorama of Brazilian ArtSep 12, 2026 – Jan 24, 2027Entitled After It’s All Said, 39th Panorama of Brazilian Art, under the curatorship of Diane Lima, questions where artistic production has overflowed in the search to expand the limits of aesthetic representation through a radical exercise of imagination.
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In Our Time: R. B. Kitaj and BooksJun 17 – Nov 8, 2026
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.
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Senta SimondPhotographerAfter studying aesthetic and theory of cinema at the University of Lausanne, Senta Simond completed an M.A. in Photography at ECAL, University of Art and Design in Lausanne, Switzerland.
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Marc Chagall: The CircusNov 21, 2026 – Apr 25, 2027
Throughout his prolific career, Marc Chagall (1887–1985) returned time and again to the vivid imagery of acrobats, clowns and fantastical performers. Marc Chagall: The Circus will present Chagall’s celebrated lithographs on this subject…
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William EgglestonPhotographerWilliam Eggleston is one of the most influential photographers of the latter half of the 20th century, credited with pioneering fine art color photography in his iconic depictions of the American South.
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Fondazione Arte CRT: The ProgramThrough 2027Since 2000, the Fondazione per l’Arte Moderna e Contemporanea CRT has been building a collection of modern and contemporary art for the benefit of the Piedmont community and its museum network, with acquisitions for GAM – Galleria Civica d’Arte Moderna e Contemporanea di Torino and Castello di Rivoli Museo d’Arte Contemporanea.
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Arnold J. Kemp: Not One ThingJul 28 – Dec 6, 2026
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
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Venice Biennale 202661st International Art ExhibitionThe 61st International Art Exhibition of La Biennale di Venezia – In Minor Keys by Koyo Kouoh (1967–2025) – will run from Saturday 9 May to Sunday 22 November 2026 (preview 6, 7, 8 May) at the Giardini and the Arsenale venues, and in various locations around Venice.
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Ordinary GriefA Story of ReconciliationOrdinary Grief is a story of tenuous reconciliation. In 2017, I returned to Iran after 25 years of self-exile, where I embarked on a personal and political reclamation of my identity and history.
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