Rebeca Romero is an interdisciplinary artist born in Peru and based in London.
Through a range of media that includes sculpture, ceramics, textiles, sound, performance and video, she explores concepts of diasporic identity, truth, fiction, and their relationship to the digital age.
Often combining Pre-Columbian iconography with advanced scanning and printing technologies and materials ranging from clay to plastic, her works swing drastically between the past and an alternate future. Examining the story-telling potential of artefacts, Romero looks into the intervention of the digital archive as a history-making technique. Online museum archives become an excavation ground for the collection of data that she later recontextualizes, reassembles and re-presents.
With a focus on new materialities, processes of production and collaboration between artist and machine, her work seeks to question ideas and practices of representation, appropriation and authorship. The recent inclusion of AI image generators into her work proposes a further re-understanding of hegemonic notions of intelligence, technology and knowledge.
Rebeca Romero is an interdisciplinary artist born in Peru and based in London.
Through a range of media that includes sculpture, ceramics, textiles, sound, performance and video, she explores concepts of diasporic identity, truth, fiction, and their relationship to the digital age.
Often combining Pre-Columbian iconography with advanced scanning and printing technologies and materials ranging from clay to plastic, her works swing drastically between the past and an alternate future. Examining the story-telling potential of artefacts, Romero looks into the intervention of the digital archive as a history-making technique. Online museum archives become an excavation ground for the collection of data that she later recontextualizes, reassembles and re-presents.
With a focus on new materialities, processes of production and collaboration between artist and machine, her work seeks to question ideas and practices of representation, appropriation and authorship. The recent inclusion of AI image generators into her work proposes a further re-understanding of hegemonic notions of intelligence, technology and knowledge.
Inspired by 16 years of shooting some of the biggest names in the music world, witnessing the rise and fall of pop icons, and watching descents into madness, Collins created two fictional music groups exclusively for this publication.
Throughout his prolific career, Marc Chagall (1887–1985) returned time and again to the vivid imagery of acrobats, clowns and fantastical performers. Marc Chagall: The Circus will present Chagall’s celebrated lithographs on this subject…