RIBOCA
Biennial / Riga

The Riga International Biennial of Contemporary Art (RIBOCA) is an international biennial with a European focus and a strong regional profile, founded in 2016. Taking the rich history of Riga and the Baltic states as its underlying framework, the Biennial highlights the artistic landscape of the wider region and creates opportunities for artists to enter into dialogue with the cultural, historical and socio-political context of the city and its geographic surrounds.

Taking into account criticisms of the proliferation of biennial culture, or ‘biennialisation’ as it has been called, RIBOCA aims to create a sustainable model based on best practices that prioritize artists, artistic production and the meticulous presentation and mediation of art. The Biennial is based on a working process that starts from the local, expanding to the national and the regional, and finally to the transnational. The Biennial aims to take root and make roots in the place where it is situated. Reflecting the biennial’s global outlook and mission to increase artistic engagement between the Baltic region and the rest of the world, a significant proportion of the commissioned and selected artists either live, work or were born in the Baltic region, a territory which still remains relatively unexplored despite its prolific artistic production.

RIBOCA sees itself as a critical site of artistic experimentation and knowledge production, an activator of co-operation and exchange between local and regional actors and institutions, an instigator of generosity towards peers, and a barometer of current social, political and economic issues filtered through artistic practices.

RIBOCA
Biennial / Riga

The Riga International Biennial of Contemporary Art (RIBOCA) is an international biennial with a European focus and a strong regional profile, founded in 2016. Taking the rich history of Riga and the Baltic states as its underlying framework, the Biennial highlights the artistic landscape of the wider region and creates opportunities for artists to enter into dialogue with the cultural, historical and socio-political context of the city and its geographic surrounds.

Taking into account criticisms of the proliferation of biennial culture, or ‘biennialisation’ as it has been called, RIBOCA aims to create a sustainable model based on best practices that prioritize artists, artistic production and the meticulous presentation and mediation of art. The Biennial is based on a working process that starts from the local, expanding to the national and the regional, and finally to the transnational. The Biennial aims to take root and make roots in the place where it is situated. Reflecting the biennial’s global outlook and mission to increase artistic engagement between the Baltic region and the rest of the world, a significant proportion of the commissioned and selected artists either live, work or were born in the Baltic region, a territory which still remains relatively unexplored despite its prolific artistic production.

RIBOCA sees itself as a critical site of artistic experimentation and knowledge production, an activator of co-operation and exchange between local and regional actors and institutions, an instigator of generosity towards peers, and a barometer of current social, political and economic issues filtered through artistic practices.

RIBOCA
  • Berlinde De Bruyckere: No Life Lost
    Feb 3 – May 26, 2024
    Artipelag
    Gustavsberg, Sweden
    Belgian artist Berlinde De Bruyckere’s large-scale sculptures and installations of wax, wood, textile, metal and horse hide are executed in an unmistakable artistic style. Grappling with the existential human condition, De Bruyckere’s work addresses human vulnerability and fragility, desire and suffering, resilience and transformation. Opening on February 3, the comprehensive exhibition No Life Lost is the first presentation of the work of De Bruyckere in Sweden. (more…)
  • Marguerite Humeau: Orisons
    Jul 29, 2023 – Jun 30, 2025
    Black Cube
    Hooper, USA
    Marguerite Humeau’s Orisons is a subtle, 160-acre earthwork that transforms an unfarmable plot of land in Colorado’s San Luis Valley into a place of reverence, honoring its expansive history, existing ecosystem, and imaginable futures. The work consists of the land in its entirety, as well as a series of eighty-four kinetic and interactive sculptures that invoke the land’s histories and vast network of interrelations. (more…)
  • Mikel Bastida: Anarene
    Publication
    Tipi Photo Bookshop
    International
    Anarene is a book that was born from an eight-year photographic project made by Mikel Bastida in the United States. In the spirit of referencing the ghost town in Archer County, Texas, portrayed in Peter Bogdanovich’s film adaptation of Larry McMurtry’s novel The Last Picture Show, the author has traveled the country looking for images and stories that cinema has left behind. (more…)