Since the beginning of his career in the mid-60s, Robert Mangold has combined the classic elements of composition – shape, line, and color – to create abstract works of architectural scale, drawing by hand thick and thin graphite lines on subtly modulated planes of color.
Following his first solo exhibition in 1964, Mangold’s work has been the subject of numerous single-person exhibitions and retrospectives at institutions including the Solomon R. Guggenheim Museum, New York; Stedelijk Museum in Amsterdam; Akron Art Museum; Hallen für neue Kunst, Schaffhausen, Switzerland; Allen Memorial Art Museum, Oberlin College; Hallen für neue Kunst; Museum Wiesbaden; Parasol Unit Foundation for Contemporary Art, London; and Albright-Knox Art Gallery, Buffalo.
Since the beginning of his career in the mid-60s, Robert Mangold has combined the classic elements of composition – shape, line, and color – to create abstract works of architectural scale, drawing by hand thick and thin graphite lines on subtly modulated planes of color.
Following his first solo exhibition in 1964, Mangold’s work has been the subject of numerous single-person exhibitions and retrospectives at institutions including the Solomon R. Guggenheim Museum, New York; Stedelijk Museum in Amsterdam; Akron Art Museum; Hallen für neue Kunst, Schaffhausen, Switzerland; Allen Memorial Art Museum, Oberlin College; Hallen für neue Kunst; Museum Wiesbaden; Parasol Unit Foundation for Contemporary Art, London; and Albright-Knox Art Gallery, Buffalo.
–Dorothea Lange / February 1960 (more…)