The U.N. has designated November 25th as International Day for the Elimination of Violence Against Women. By truism, this is a proposition that states really nothing beyond what is implied by its terms… (more…)
Since the beginning of his career in the mid-60s, Robert Mangold has combined the classic elements of composition – shape, line, and color – to create abstract works of architectural scale, drawing by hand thick and thin graphite lines on subtly modulated planes of color.
Following his first solo exhibition in 1964, Mangold’s work has been the subject of numerous single-person exhibitions and retrospectives at institutions including the Solomon R. Guggenheim Museum, New York; Stedelijk Museum in Amsterdam; Akron Art Museum; Hallen für neue Kunst, Schaffhausen, Switzerland; Allen Memorial Art Museum, Oberlin College; Hallen für neue Kunst; Museum Wiesbaden; Parasol Unit Foundation for Contemporary Art, London; and Albright-Knox Art Gallery, Buffalo.
The U.N. has designated November 25th as International Day for the Elimination of Violence Against Women. By truism, this is a proposition that states really nothing beyond what is implied by its terms… (more…)
How is technological innovation dependent on raw materials? This question is center-stage in the exhibition Charging Myths by On-Trade-Off. This artists-collective traces the origins of lithium by starting from Manono, Democratic Republic of the Congo. (more…)
A striking new photographic voice engages with street portraiture to create dark, interior psychological spaces exploring the relationship between public and private lives. (more…)
I re-discover parts of my cultural heritage, portraying the different facets of the life of mountain villages in between the Italian and Slovenian borders. What I found was a community of survivors. (more…)
Tubes, chains, and wires seem to resemble organic contraptions as they loop, glide, and snake around and into each other. These appliances are stiff or pliable when tension is applied, moving slowly yet fitfully. The water, oil, and grime flowing all around emphasizes the angular rigidity of the metal (more…)
Once again we arrive at the end of another year. 2021 was a year replete with contradictions and conflict, tension and turmoil. Two years since the start of the pandemic, a return to normal eludes us.
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Art has the power to investigate society and present alternative interpretations of our shared world. Works featured in ARS22 explore the everyday lives and dreams of individuals and communities. They raise questions about our relationship with the world (more…)
The Mostra de Arte da Juventude (MAJ – Youth Art Show) is an initiative that has been held at Sesc Ribeirão Preto on a regular basis for the last 32 years, since 1989. It was created within the municipal context, in Ribeirão Preto (São Paulo), a city located inland, with the aim of lending visibility to the production of young artists (more…)
An exhibition of 11 contemporary artists from the African diaspora, who draw on science fiction, myth and Afrofuturism to question our knowledge of the world. Myth, science fiction, spiritual traditions and the legacy of Afrofuturism are all sampled, reimagined and recontextualised in In the Black Fantastic. (more…)