This exhibition presented by Kunsthaus Hamburg traces the paths and detours of lives, art works, texts and instruments, revealing disjunctions as much as it highlights unexpected links.
If Ryuichi Sakamoto had been born in 16th century Italy, we’d know what to call him: a Renaissance Man. But since he was born in Japan in the mid-20th century, we have to string together words like composer, musician, producer, actor, and environmental activist. It’s a diverse résumé, but there are two things that match it: one is Sakamoto’s music – pioneering electronic works, globally-inspired rock, classical scores (including a massive opera) and of course those familiar soundtracks. The other is the list of awards on his mantle – among them an Academy Award, two Golden Globes, a Grammy, the Order of the Cavaleiro Admissão from the government of Brazil, The Silver Lion award (Venice Film Festival) and, in July 2009, he was named an Officier of the coveted Ordre des Arts et des Lettres from the government of France. Perhaps most prized of all, was the UN Environment Programme’s Echo Award, for his innovative and groundbreaking work in eco-friendly touring and music distribution.
Though born in Tokyo, Sakamoto has been a true citizen of the world. He has written music inspired by the traditions of Okinawa, Indonesia, and Brazil; has reinterpreted the songs of Brazil’s late songwriter Antonio Carlos Jobim as a kind of world/chamber music; and has collaborated with David Bowie, David Sylvian, dramatist Robert Wilson, author William S Burroughs, the Three Tenors’ Jose Carreras, and His Holiness The Dalai Lama, among many others. He has written music for the 1992 Olympic Games in Barcelona and for the 400th anniversary of the city of Mannheim, Germany.