Born and raised in New York City, Samantha Schein is a 23-year-old photographer with a documentary and journalistic approach. Deeply influenced by growing up in a city defined by diversity, her work draws inspiration from the cultures, communities, and everyday moments that surround her. Through intentional use of color, composition, contrast, and light, she focuses on visual storytelling rooted in authenticity and observation.
Samantha’s interest in photography was inspired early on by her grandfather, a former journalist for Time Magazine, whose career brought his family to live in countries such as Kenya and Tokyo. These stories of travel and cultural immersion, combined with her upbringing in New York City, shaped her desire to document people, places, and moments as they naturally unfold.
Her photographic journey began with disposable cameras before evolving to point-and-shoots and eventually SLR systems. She went on to study photography at a university in Upstate New York, where she developed both technical and conceptual skills through hands-on coursework and darkroom experience. Under the mentorship of Wesley Bernard, she refined her visual voice and deepened her understanding of photographic storytelling.
After graduating, Samantha worked full-time as a Photo Lab Technician, expanding her skills in film developing, scanning, and printing. During this time, she also assisted and shadowed professional photographers, gaining valuable industry experience. Outside of work, she actively attended events and connected with other creatives, allowing her to grow both her portfolio and professional network.
Today, Samantha works at a photo lab while pursuing freelance photography, continuing to explore meaningful narratives shaped by culture, place, and lived experience.
Born and raised in New York City, Samantha Schein is a 23-year-old photographer with a documentary and journalistic approach. Deeply influenced by growing up in a city defined by diversity, her work draws inspiration from the cultures, communities, and everyday moments that surround her. Through intentional use of color, composition, contrast, and light, she focuses on visual storytelling rooted in authenticity and observation.
Samantha’s interest in photography was inspired early on by her grandfather, a former journalist for Time Magazine, whose career brought his family to live in countries such as Kenya and Tokyo. These stories of travel and cultural immersion, combined with her upbringing in New York City, shaped her desire to document people, places, and moments as they naturally unfold.
Her photographic journey began with disposable cameras before evolving to point-and-shoots and eventually SLR systems. She went on to study photography at a university in Upstate New York, where she developed both technical and conceptual skills through hands-on coursework and darkroom experience. Under the mentorship of Wesley Bernard, she refined her visual voice and deepened her understanding of photographic storytelling.
After graduating, Samantha worked full-time as a Photo Lab Technician, expanding her skills in film developing, scanning, and printing. During this time, she also assisted and shadowed professional photographers, gaining valuable industry experience. Outside of work, she actively attended events and connected with other creatives, allowing her to grow both her portfolio and professional network.
Today, Samantha works at a photo lab while pursuing freelance photography, continuing to explore meaningful narratives shaped by culture, place, and lived experience.
The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…
Anna Hulačová’s figurative sculptures combine influences from Surrealism, Socialist Realism, and Czech folk art to create a distinctive cosmos of their own. Schirn Kunsthalle Frankfurt is presenting the artist’s first solo exhibition in Germany…
Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975