‘The Coming of Age’ features more than 120 artworks and objects, including historical artefacts and works by contemporary artists including John Coplans, Serena Korda, Suzanne Lacy, Anna Maria Maiolino, Rory Pilgrim, Paula Rego and more.
Sarah Blesener is a documentary photographer based in New York City. Born in Minneapolis, Minnesota, she studied Linguistics and Youth Development at North Central University. While in University, she worked as a photographer for the organization Healing Haiti based in Port au Prince, Haiti, covering events surrounding the 2010 earthquake. Upon graduation in 2012, she studied at Bookvar Russian Academy in Minneapolis, concentrating on the Russian language.
She is a recent graduate of the Visual Journalism and Documentary Practice program at the International Center of Photography in New York. Her latest work revolves around youth movement and culture in Russia, Eastern Europe, and the United States. She is a current fellow with Catchlight, working with Reveal / CIR.
Sarah Blesener is a documentary photographer based in New York City. Born in Minneapolis, Minnesota, she studied Linguistics and Youth Development at North Central University. While in University, she worked as a photographer for the organization Healing Haiti based in Port au Prince, Haiti, covering events surrounding the 2010 earthquake. Upon graduation in 2012, she studied at Bookvar Russian Academy in Minneapolis, concentrating on the Russian language.
She is a recent graduate of the Visual Journalism and Documentary Practice program at the International Center of Photography in New York. Her latest work revolves around youth movement and culture in Russia, Eastern Europe, and the United States. She is a current fellow with Catchlight, working with Reveal / CIR.
‘The Coming of Age’ features more than 120 artworks and objects, including historical artefacts and works by contemporary artists including John Coplans, Serena Korda, Suzanne Lacy, Anna Maria Maiolino, Rory Pilgrim, Paula Rego and more.
Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975
The UK’s first exhibition on Elsa Schiaparelli spans the 1920s to today, celebrating the innovative designer’s influence. It traces the fashion house’s groundbreaking origins and its evolution under current creative director Daniel Roseberry.
Van Herpen transcends conventional clothing norms while embracing both traditional couture artisanship and innovative techniques. Ranging from the micro to the macro, the exhibition explores the body’s place in space…
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
Tate, in collaboration with Delfina Foundation, invites applications for the Brooks International Fellowship Programme 2027. Now in its thirteenth year, the programme will enable practitioners to work with Tate…
Julie Bullard, a work of photographic fiction by Nadia Lee Cohen and Martin Parr. The book is designed as a late-seventies photo album, closely modelled on an example acquired from eBay, complete with faux leather spongy board covers…