Sarah Jones
Artist / Photographer

I often start by taking snapshots, sketches, and see what they might suggest or I think of the books I’ve read recently or films I’ve seen, or something I remember. My work is built on the idea of a world that has its own rules, its own fiction. I have particular ideas that I want to explore; at the moment they concern the notion of mirroring, both as an act of photographing something and as a term related to psychoanalysis, to how we might behave with one another, or how also we might view an image, a portrait. Jean Cocteau’s Orphée (1950) influenced my thinking here also – a parallel imagined world. When you look closely at one subject – like the roses or the couch or an analyst’s office – something can suddenly fall into place. It’s how a choreographer might construct a dance, or a composer might compose music; taking one gesture as a motif to build upon. It’s a similar thing for me with photography, constructing an image out of something that’s already there. Later, there may be a fine-tuning of sentences or nuances; the lighting and the composition are very specific in my work.

[Interview: Frieze]

Sarah Jones
Artist / Photographer

I often start by taking snapshots, sketches, and see what they might suggest or I think of the books I’ve read recently or films I’ve seen, or something I remember. My work is built on the idea of a world that has its own rules, its own fiction. I have particular ideas that I want to explore; at the moment they concern the notion of mirroring, both as an act of photographing something and as a term related to psychoanalysis, to how we might behave with one another, or how also we might view an image, a portrait. Jean Cocteau’s Orphée (1950) influenced my thinking here also – a parallel imagined world. When you look closely at one subject – like the roses or the couch or an analyst’s office – something can suddenly fall into place. It’s how a choreographer might construct a dance, or a composer might compose music; taking one gesture as a motif to build upon. It’s a similar thing for me with photography, constructing an image out of something that’s already there. Later, there may be a fine-tuning of sentences or nuances; the lighting and the composition are very specific in my work.

[Interview: Frieze]

  • Chris Hoare: Seven Hills
    Publication
    RRB Photobooks
    International
    RRB Photobooks is delighted to present Seven Hills, our second publication from Bristol based Photographer, Chris Hoare. Set to release in September 2023, this first edition will feature a special edition of 50 copies, each including a signed and limited print. In Seven Hills, Hoare shows us his unique perspective of Bristol, his hometown. Presenting both the good and the bad, Hoare’s poetic imagery speaks to some of the more serious issues facing the city today (more…)
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    May 2 – Jun 1, 2024
    Skarstedt
    Paris, France
    Skarstedt Paris is pleased to present Cindy Sherman: Film Stills (1977-1980), an exhibition reuniting 25 artworks from the artist’s groundbreaking series exploring questions around gender and identity. Through her iconic alter-egos, Sherman masterfully transforms herself into a multitude of cinematic characters, each narrative unfolding like a scene from an enigmatic film. This exhibition offers an opportunity to delve into the depths of Sherman’s creative process (more…)