I often start by taking snapshots, sketches, and see what they might suggest or I think of the books I’ve read recently or films I’ve seen, or something I remember. My work is built on the idea of a world that has its own rules, its own fiction. I have particular ideas that I want to explore; at the moment they concern the notion of mirroring, both as an act of photographing something and as a term related to psychoanalysis, to how we might behave with one another, or how also we might view an image, a portrait. Jean Cocteau’s Orphée (1950) influenced my thinking here also – a parallel imagined world. When you look closely at one subject – like the roses or the couch or an analyst’s office – something can suddenly fall into place. It’s how a choreographer might construct a dance, or a composer might compose music; taking one gesture as a motif to build upon. It’s a similar thing for me with photography, constructing an image out of something that’s already there. Later, there may be a fine-tuning of sentences or nuances; the lighting and the composition are very specific in my work.
[Interview: Frieze]
I often start by taking snapshots, sketches, and see what they might suggest or I think of the books I’ve read recently or films I’ve seen, or something I remember. My work is built on the idea of a world that has its own rules, its own fiction. I have particular ideas that I want to explore; at the moment they concern the notion of mirroring, both as an act of photographing something and as a term related to psychoanalysis, to how we might behave with one another, or how also we might view an image, a portrait. Jean Cocteau’s Orphée (1950) influenced my thinking here also – a parallel imagined world. When you look closely at one subject – like the roses or the couch or an analyst’s office – something can suddenly fall into place. It’s how a choreographer might construct a dance, or a composer might compose music; taking one gesture as a motif to build upon. It’s a similar thing for me with photography, constructing an image out of something that’s already there. Later, there may be a fine-tuning of sentences or nuances; the lighting and the composition are very specific in my work.
[Interview: Frieze]
Across generations, the Stars and Stripes has inspired pride, protest, and profound artistic expression. From battlefields to modern cultural movements, our flag’s journey through art reveals a nation constantly redefining itself.
Anna Hulačová’s figurative sculptures combine influences from Surrealism, Socialist Realism, and Czech folk art to create a distinctive cosmos of their own. Schirn Kunsthalle Frankfurt is presenting the artist’s first solo exhibition in Germany…
Wolf Tones presents the work of six artists as a refracted analogy of an acoustic phenomenon. The wolf tone is an irregular vibration produced by a musical instrument such as the cello. It is the result of an acoustic conflict produced by its wooden body.
The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…
Throughout his prolific career, Marc Chagall (1887–1985) returned time and again to the vivid imagery of acrobats, clowns and fantastical performers. Marc Chagall: The Circus will present Chagall’s celebrated lithographs on this subject…