Pioneer of street photography Saul Leiter (1923–2013) captured city life in mid-20th century New York City with an inimitable sense of composition, humour and grace, fusing aspects of fashion, documentary and architectural photography alongside portraiture and still life. A resident of New York for 60 years, the photographer applied this unique perspective both to the city’s inhabitants and to its inanimate subjects, investing as much personality in his depiction of a rain-splashed taxi cab or an obscured view through a window. Blurred movement, reduced depth of field and a painterly manipulation of natural light, shadow, shape and texture reproduce the sensation of navigating a busy metropolis. These attributes came to form Leiter’s vernacular of the city.
Pioneer of street photography Saul Leiter (1923–2013) captured city life in mid-20th century New York City with an inimitable sense of composition, humour and grace, fusing aspects of fashion, documentary and architectural photography alongside portraiture and still life. A resident of New York for 60 years, the photographer applied this unique perspective both to the city’s inhabitants and to its inanimate subjects, investing as much personality in his depiction of a rain-splashed taxi cab or an obscured view through a window. Blurred movement, reduced depth of field and a painterly manipulation of natural light, shadow, shape and texture reproduce the sensation of navigating a busy metropolis. These attributes came to form Leiter’s vernacular of the city.
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…