The SCHIRN Kunsthalle Frankfurt is one of most important exhibition venues in Europe. Since opening in 1986, it has presented more than 200 exhibitions on around 2,000 m² of floor space and can boast a total of more than 8 million visitors. The SCHIRN focuses on art-historical and historico-cultural themes, discourses, and trends from a contemporary perspective. Its range of offers is multifaceted, international, and progressive; it attempts to open up new points of view and to break open traditional patterns of reception. The exhibitions are devoted in equal measure to contemporary stances in art and art of the modern era.
Each SCHIRN exhibition is accompanied by a publication. As part of the exhibition project, the catalog is its continuation in printed form and enables you to continue to engage with the art and issues addressed in the exhibition well after it has actually finished. The concept and specific content of each publication is devised parallel to developing the exhibition. Selected authors, and they tend to be experts, artists or journalists, explore the respective topic in the form of essays, shed light on it from different angles, and in this way supplement the exhibition project by emphasizing additional interesting aspects of the subject.
The SCHIRN Kunsthalle Frankfurt is one of most important exhibition venues in Europe. Since opening in 1986, it has presented more than 200 exhibitions on around 2,000 m² of floor space and can boast a total of more than 8 million visitors. The SCHIRN focuses on art-historical and historico-cultural themes, discourses, and trends from a contemporary perspective. Its range of offers is multifaceted, international, and progressive; it attempts to open up new points of view and to break open traditional patterns of reception. The exhibitions are devoted in equal measure to contemporary stances in art and art of the modern era.
Each SCHIRN exhibition is accompanied by a publication. As part of the exhibition project, the catalog is its continuation in printed form and enables you to continue to engage with the art and issues addressed in the exhibition well after it has actually finished. The concept and specific content of each publication is devised parallel to developing the exhibition. Selected authors, and they tend to be experts, artists or journalists, explore the respective topic in the form of essays, shed light on it from different angles, and in this way supplement the exhibition project by emphasizing additional interesting aspects of the subject.

The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.
Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.