After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.
Stephen Prina, born in 1954, Galesburg, Illinois, is an American artist and Professor of Visual and Environmental Studies at Harvard University.
Solo shows have been devoted to him by some of the leading international museums such as the Museum Kurhaus Kleve (2016); Kunst Halle Sankt Gallen (2015); LACMA / Los Angeles County Museum of Art (2013); Wiener Secession, Vienna (2001); Kölnischer Kunstverein, Cologne (2011 and 2009); Contemporary Art Museum St. Louis (2010); Centro Andaluz de Arte Contemporaeno, Seville and Bergen Kunsthall (2009); Staatliche Kunsthalle Baden-Baden (2008); Carpenter Center for the Visual Arts-Harvard University, Cambridge and Cubitt, London (2004); The Art Institute, Chicago (2001); Museum für Gegenwart, Berlin, Frankfurter Kunstverein, Frankfurt and Art Pace, San Antonio (2000); MAMCO Musée d’Art Moderne et Contemporain, Geneva (1998); Museum Boijmans-van Beuningen, Rotterdam (1992); The Power Plant, Toronto (1991); The Renaissance Society, Chicago, Los Angeles Municipal Art Gallery and P.1, New York (1989). Among the biennials and periodic exhibitions whom he participated to: Time Crevasse. Yokohama Triennale and Witney Biennial, New York (2008); SITE Santa Fe Biennial (2001); Documenta IX, Kassel (1992); 51st Carnegie International, Pittsburgh (1991); APERTO Venice Biennale (1990).
The artist has returned to exhibit at The Madre / Museum of Contemporary Art in Naples more than thirty years since the collective exhibition Rooted Rhetoric, Una Tradizione nell’Arte Americana, presented at Castel dell’Ovo in 1986.
Stephen Prina lives and works between Cambridge, Massachusetts, and Los Angeles.