The UK’s first exhibition on Elsa Schiaparelli spans the 1920s to today, celebrating the innovative designer’s influence. It traces the fashion house’s groundbreaking origins and its evolution under current creative director Daniel Roseberry.
Matsutani covers canvases with impressive and sensual organic volumes made of inflated vinyl adhesive. In 1963, he is invited to be a member of Gutai.
In the 1970s, Matsutani experiments in printmaking and painting with clearly defined shapes, lines, and vivid colors on flat surfaces. These works span an immense scale from large to small.
From the 1980s, Matsutani focuses on black and white returning to vinyl adhesive volumes covered with graphite penciled strokes. Matsutani works in situ on large surfaces. The creative gesture becomes a performance.
Takesada Matsutani is a Japanese painter, printmaker, and installation artist. As a member of the second generation group of avant-garde Gutai artists, Matsutani is best known for his techniques utilizing blown air into vinyl glue to produce bulbous ridges and forms in the surfaces of his works. Today, his works can be found in the collections of the Centre Pompidou in Paris, the National Museum of Modern Art in Tokyo, and the Victoria & Albert Museum in London, among others. Matsutani lives and works between Paris, France and Nishinomiya, Japan.
Takesada Matsutani is a Japanese painter, printmaker, and installation artist. As a member of the second generation group of avant-garde Gutai artists, Matsutani is best known for his techniques utilizing blown air into vinyl glue to produce bulbous ridges and forms in the surfaces of his works. Today, his works can be found in the collections of the Centre Pompidou in Paris, the National Museum of Modern Art in Tokyo, and the Victoria & Albert Museum in London, among others. Matsutani lives and works between Paris, France and Nishinomiya, Japan.
Matsutani covers canvases with impressive and sensual organic volumes made of inflated vinyl adhesive. In 1963, he is invited to be a member of Gutai.
In the 1970s, Matsutani experiments in printmaking and painting with clearly defined shapes, lines, and vivid colors on flat surfaces. These works span an immense scale from large to small.
From the 1980s, Matsutani focuses on black and white returning to vinyl adhesive volumes covered with graphite penciled strokes. Matsutani works in situ on large surfaces. The creative gesture becomes a performance.
The UK’s first exhibition on Elsa Schiaparelli spans the 1920s to today, celebrating the innovative designer’s influence. It traces the fashion house’s groundbreaking origins and its evolution under current creative director Daniel Roseberry.
Art Week Tokyo 2026 expands its activation of the city’s diverse array of museums and art spaces. New institutional highlights include Nam June Paik: The 20th Anniversary of His Passing at Watari-um…
Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.