What is it that we actually see when we look at Thomas Demand’s photographs? Demand, born in Munich in 1964, has spent almost three decades exploring the intersections of history, images, and architectural forms. (more…)

Beginning 11 November 2023, the Gropius Bau shows her0, a presentation by visual artist Selma Selman. At its core lies the development of her performance Motherboards (2023–ongoing), in which Selman and members of her family dismantle electronic waste. Challenging oversimplified and racialised narratives, the performance offers palpable insights into dynamics of power around the notion of sustainability. (more…)

HYBRIDS: Forging New Realities as Counter-Narrative aims to explore the new atmosphere of trans-disciplinary experimentation across divergent fields and sectors in the arts. (more…)

The Museum of Modern Art presents Ed Ruscha / Now Then, the most comprehensive retrospective of the artist’s work ever staged, and his first solo exhibition at the Museum, from September 10, 2023, through January 13, 2024. Organized in close collaboration with the artist and mirroring his own cross-disciplinary approach, the exhibition will feature over 200 works, (more…)

Tina Berning (b. 1969 / Braunschweig, Germany) is a Berlin based artist and illustrator. After working as a graphic designer for several years, she began to focus on drawing and Illustration. (more…)

Every summer since 1970, over the course of more than forty exhibitions at various of the city’s exceptional heritage sites, the Rencontres d’Arles has been a major influence in disseminating the best of world photography (more…)

When asked about his decision to paint almost nothing but animals, Gilles Aillaud replied “because I like them”. Contemporaneous with early Pop Art works, with their varying degrees of fascination with consumer products and mass communication, the paintings of Gilles Aillaud (who died in 2005) have nothing exotic about them. (more…)

This exhibition of the unsettling, uncategorisable work of American artist Lutz Bacher (1943–2019) explores her use of music, sound and voice. Bacher’s work oscillates between the conceptual and the visceral. Much of it involves appropriation, using material from American popular culture and flotsam from the information age (pulp fiction, self-help manuals, trade magazines, scientific publications, pornography, bureaucracy, discarded photographs), in work that can be intimate, violent or funny. (more…)

For her first personal exhibition in a Parisian institution, the great Chilean photographer Paz Errázuriz, relatively little shown in France, presents no less than 120 prints from 15 series including three previously unpublished: Próceres (1983), Sepur Zarco (2016), Ñuble ( 2019) as well as the emblematic series La Manzana de Adán produced between 1982 and 1987. (more…)