We are at the year’s end, 2019. There is not a singularity of form which could define the past twelve months, or any epoch. This year, we have had our part of crisis and tension, distorted visions, along with struggles in identity, politics, and culture.
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Tania Franco Klein
Photographer
Tania Franco Klein (b. 1990) started her photography praxis while gaining her BA Architecture in Mexico City, which took her to pursue her Masters in Photography at the University of the Arts London.
Her work is highly influenced by her fascination with social behavior and contemporary practices such as leisure, consumption, media overstimulation, emotional disconnection, the obsession with eternal youth, the American dream in the Western world and the psychological sequels they generate in our everyday life.
Franco Klein’s work has been reviewed and featured by international critiques including Aperture Foundation, The British Journal of Photography, Fisheye Magazine and i-D Magazine (UK), and Der Greif, among others. She has been exhibited in London, Budapest, Mexico, Spain, France, Germany, New York, Vermont, Photo Basel and during the Los Angeles Month of Photography 2017 by Lucie Foundation. She has obtained the Sony World Photography Award, The LensCulture Exposure Award, and The Felix Schoeller Photo Award of Germany Nominee, among others.
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This exhibition at The Met Bauer considers Richter Gerhard’s six decade long preoccupation with the dual means of representation and abstraction to explore the material, conceptual, and historical implications of painting.
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Helene Schmitz: Thinking Like a MountainDec 14, 2019 – Mar 15, 2020
“I wanted to portray the violent transformation of nature in the European periphery. I have experienced that the concept of wilderness, and virgin land untouched by humans, has disintegrated.” –Helene Schmitz
