After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.
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Tanya Bindra
photographer
Tanya Kaur Bindra is an independent photojournalist and filmmaker based between West Africa and South Asia. She has spent the past four years documenting conflict and post-conflict news seeking to make images that speak to our subjectivities and resistances as individuals, even while being shaped by the larger, politicized forces around us.
Before turning to photography, she provided crisis support and legal accompaniment services to survivors of sexual assault and later continued advocacy work at an immigrant workers center. She attended the Eddie Adams Workshop XXVIII, the New York Times Portfolio Review in 2014 and was nominated for the Joop Swart Masterclass in 2015. Tanya has been trained in battlefield medical response after undergoing a course by RISC (Reporters Instructed in Saving Colleagues). She has also taken a hostile environment course, supported by the Rory Peck Trust and the Forum Freelance Fund.
Tanya has contributed to outlets such as the New York Times, Newsweek, Le Monde, VICE, Time Magazine, the Washington Post and the Wall Street Journal. She has filed regularly to the Associated Press and European Pressphoto Agency and has also partnered on humanitarian advocacy campaigns with UNICEF, Médecins Sans Frontières and others.
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Towards No Earthly Pole / Julian CharrièreJan 31 – Mar 21, 2020
Filmed at night, the dazzling landscapes captured are dramatically lit by a spotlight carried on a drone; as light tracks across the dark terrain, incredible shapes and tonalities are revealed. Sean Kelly Gallery is pleased to present Towards No Earthly Pole, Julian Charrière (more…)
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Reading Time in SpaceModernism at mumok
This exhibit Reading Time in Space / Modernism at mumok 1910 to 1955 traces passages of time and artistic concepts, accounting the idea of an expanded concept of art, one that relies on connection and permeation beyond a traditional chronological order.
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Darkest HourBrexit and the British youth
Darkest Hour, this pearl of stylish and emotive documentary was directed by Thomas Ralph, just after the initial Brexit referendum over three years ago (more…)
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Botanical Drift / Ebbe Stub WittrupJanuary 23 – May 17, 2020
As Ebbe Stub Wittrup follows in the footsteps of the Danish botanist Nathaniel Wallich, a narrative emerges on Western economy and scientific logic as opposed to local knowledge and experience.
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30 Under 30 Women Photographers / 2020Selections for 2020 announced
Artpil is proud to announce for its 11th edition the selections for the 30 Under 30 Women Photographers 2020. Founded in 2010, 30 Under 30 Women Photographers has helped emerging, mid-career, as well as some accomplished women photographers to gain further exposure (more…)
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Elimination of ViolenceArt, Women & Awareness
The United Nations General Assembly has designated today International Day for the Elimination of Violence Against Women. Today we would like to once again celebrate the women who have inspired and created in the art world.
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ARTPIL / Prescription .107Look back on 2019
We are at the year’s end, 2019. There is not a singularity of form which could define the past twelve months, or any epoch. This year, we have had our part of crisis and tension, distorted visions, along with struggles in identity, politics, and culture.
