Taoxi
Photographer

Freelance photographer, Living and working in Suzhou, China.

I returned to the rainy riverside place of birth.

The light of the water that grew up with me, the fog of the river, and the blue-gray land readmitted me.

In this way, I try to find a new understanding of my hometown and myself.

Things began to loom and gather. Like floating in the sea of time.

Meet with these figures and scenery, they are not only daily trivial light, but also mysterious whispers from the distant past.

I want to show this parallel of different times and the personal tremor that is nowhere to be placed in the photo.

As George Benanos said, the mountain flowers, though small, are fragrant when gathered together.

–from the series Time in the Wilderness

Taoxi
Photographer

Freelance photographer, Living and working in Suzhou, China.

I returned to the rainy riverside place of birth.

The light of the water that grew up with me, the fog of the river, and the blue-gray land readmitted me.

In this way, I try to find a new understanding of my hometown and myself.

Things began to loom and gather. Like floating in the sea of time.

Meet with these figures and scenery, they are not only daily trivial light, but also mysterious whispers from the distant past.

I want to show this parallel of different times and the personal tremor that is nowhere to be placed in the photo.

As George Benanos said, the mountain flowers, though small, are fragrant when gathered together.

–from the series Time in the Wilderness

  • Justinien Tribillon: Visible upon Breakdown
    Publication
    Spector Books
    International
    The space in which we live is determined by currents, by transitions. However, we are so used to moving around in this hypermodern world that we don’t even notice the currents that make up our lives. They are invisible, hidden in plain sight – until they collapse. The war in Ukraine is preventing the export of wheat, Covid-19 and timber shortages are making themselves felt in construction projects all over the world: These events are not just human tragedies, they are also an urgent reminder of global dependencies. (more…)
  • Chris Hoare: Seven Hills
    Publication
    RRB Photobooks
    International
    RRB Photobooks is delighted to present Seven Hills, our second publication from Bristol based Photographer, Chris Hoare. Set to release in September 2023, this first edition will feature a special edition of 50 copies, each including a signed and limited print. In Seven Hills, Hoare shows us his unique perspective of Bristol, his hometown. Presenting both the good and the bad, Hoare’s poetic imagery speaks to some of the more serious issues facing the city today (more…)
  • Miranda July: New Society
    Mar 7 – Oct 14, 2024
    Fondazione Prada
    Milan, Italy
    Curated by Mia Locks, Miranda July: New Society is the first solo museum exhibition dedicated to Miranda July’s work. Spanning three decades, from the early 1990’s until today, the exhibition includes early short films, performance, and multimedia installations. The exhibition debuts F.A.M.I.L.Y (Falling Apart Meanwhile I Love You), a multi-channel video installation July made in collaboration with seven strangers via Instagram. (more…)
  • Mary Heilmann / Daydream Nation
    May 2 – Jul 26, 2024
    Hauser & Wirth
    New York, USA
    “A body of work starts by daydreaming…” –Mary Heilmann On May 2nd, we will open ‘Daydream Nation’ at its 22nd Street gallery, exploring Mary Heilmann’s ongoing interest in drawing as a form of transcribing memory. Curated by artist Gary Simmons, Heilmann’s friend and former student and colleague at New York’s School of Visual Arts, the exhibition celebrates her talent for distilling complex images and ideas into deceptively simple geometric forms and abstract gestural marks. (more…)
  • Atiéna R. Kilfa: Special Effect
    May 4 – Sep 8, 2024
    Den Frie
    Copenhagen, Denmark
    With Special Effect, Atiéna R. Kilfa presents a new body of works consisting of a short film and two large scale pencil drawings. In continuation of Kilfa’s investigation and restructuring of cinematic archetypes, Special Effect homes in on the nondescript figure of a man sitting at a desk. Shot in black and white, the film eerily evokes a timelessness of the figure by bringing it in resonance with pictorial genres reminiscent of various eras from German Expressionist cinema to the golden age of Hollywood film noir, fast forward to its 4K quality of today. (more…)
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