
Awed creatures, framed in breakable soul rooms in a surreal world. That’s the artistic handwriting by Tesfaye Urgessa in a few words. Art-historical references to Francis Bacon, Egon Schiele or Lucien Freud are obvious, but not the central explanation of his artworks. The intensive biographical references are the heart of Urgessas complex and artworks.
For his creative education Tesfaye Urgessa went from Ethiopia to Stuttgart. Far away from home he is confronted with racism, being a stranger in an other culture and inequality. All these bad feelings and incidents are represented and reprocessed in his huge artworks in oil on canvas, without any drawing study.
The shy protagonists on his paintings are truly naked. Not only the physical nudeness but also the rough painting technique makes the creatures appear afraid and fearful.
Beside the narrative force there is the balance between the hard and soft forming, Balance zwischen schwerer und leichter Formgebung, bright and dark colors, concrete and abstract moments, which constitute an unmistakable style.
– Elisa Hornacek / Evelyn Drewes Gallery
Awed creatures, framed in breakable soul rooms in a surreal world. That’s the artistic handwriting by Tesfaye Urgessa in a few words. Art-historical references to Francis Bacon, Egon Schiele or Lucien Freud are obvious, but not the central explanation of his artworks. The intensive biographical references are the heart of Urgessas complex and artworks.
For his creative education Tesfaye Urgessa went from Ethiopia to Stuttgart. Far away from home he is confronted with racism, being a stranger in an other culture and inequality. All these bad feelings and incidents are represented and reprocessed in his huge artworks in oil on canvas, without any drawing study.
The shy protagonists on his paintings are truly naked. Not only the physical nudeness but also the rough painting technique makes the creatures appear afraid and fearful.
Beside the narrative force there is the balance between the hard and soft forming, Balance zwischen schwerer und leichter Formgebung, bright and dark colors, concrete and abstract moments, which constitute an unmistakable style.
– Elisa Hornacek / Evelyn Drewes Gallery

Throughout his prolific career, Marc Chagall (1887–1985) returned time and again to the vivid imagery of acrobats, clowns and fantastical performers. Marc Chagall: The Circus will present Chagall’s celebrated lithographs on this subject…
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
The UK’s first exhibition on Elsa Schiaparelli spans the 1920s to today, celebrating the innovative designer’s influence. It traces the fashion house’s groundbreaking origins and its evolution under current creative director Daniel Roseberry.
Across generations, the Stars and Stripes has inspired pride, protest, and profound artistic expression. From battlefields to modern cultural movements, our flag’s journey through art reveals a nation constantly redefining itself.
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.
‘The Coming of Age’ features more than 120 artworks and objects, including historical artefacts and works by contemporary artists including John Coplans, Serena Korda, Suzanne Lacy, Anna Maria Maiolino, Rory Pilgrim, Paula Rego and more.