The Yoshida Dormitory is a self-governing dormitory that historically played a central role for students attending Kyoto University in Japan. Throughout the decades, it served as a place where the community gathered (more…)

1 a 1 Affinità is a group show celebrating the relationship between different artistic expressions and their surrounding context. The exhibition takes place at ON House Milano: a charming location in the heart of Milano, which used to be the Azucena workshop of Architect Caccia Dominioni. The combination of space, artwork, and the artworks between them invites the audience to discover, through research and observation, that “spark” of affinity generated by perception. The path follows the thin line that defines different artistic languages, such as figurative art and abstract art, but also performance, photography, NFT, happening, video and installation. And everything with the utmost respect to the historical heritage and design purpose of the house. This was, in fact, the toughest challenge for the curators Anna Kessler and Anna Niutta. They looked for the harmony within different poetics, and created a unique and unexpected domestic experience. An experience deeply related to the visible. Starting from the “Sleeping Girl” (yes, she will be actually sleeping in the bedroom of the house), the exhibition reveals a path through memories and people, mysteries and objects and colors and hopes. And in fact, isn’t the bed the one, true realm of imagery and imagination, dreams and visualizations? Every night, as we lay our day down, we practice the art of letting go. We leave our conscious thoughts, our rational mind behind, and we agree to see, and be seen  –  we accept to yield control. And as we do that, we gift ourselves to the domain of imagery  –  key and vehicle to those intimate, submerged places and spaces. At night, it is instinct and imagery that guide our experience. Research on the visible is a challenge to observation directed to the observer. There certainly is a real world that we know, but how much of this real world is exhausted in our sensory experience? Through the dialogue between works, the observer discovers similarities between different languages that ultimately prove to be distant only in appearance. Different artistic means manage to generate, through perception, a living impression in continuous dialogue with the observer. The common features, or affinities, between the different forms of expression appear very clear at times: the figurative often finds itself drawing from elements that are not properly its own, and the non-figurative struggles to disregard sensory reality that is also perhaps only an illusion. To what degree is our sensory perception conditioned by our inner state and to what extent is it – instead – influenced by our surroundings? The show will be featuring the following artists: Michele Dal Bosco, Louise Daniel, Giovanni De Benedetto, Laura Grinberga, Alessandro Grimoldieu, Rosanna Iob, Rebecca Loro, Guenda Nocentini, Carolina Pozzi, Maddalena Tesser, Maria Giovanna Zanella. With the precious contribution of Annalisa Iob. Everything was made possible by the vision of Fabio Tacchinardi. Curated by Anna & Anna On House Milano, Via Passione 8, Milan, Italy Vernissage by invitation only For more information: art@onhousemilano.com

Aesthetica is a British art and culture magazine. Founded in 2002, Aesthetica Magazine covers photography, visual art, music, film and theatre. It has a readership of over 311,000 and national and international distribution. (more…)

The Moravian folk costume (kroj) is a traditional clothing ensemble that originates from the Moravia region of the Czech Republic. This costume reflects the cultural heritage and history of the Moravian people. The Moravian folk costume typically consists of various garments and accessories that vary depending on the specific region within Moravia. (more…)

A remarkable look at Iran through the lenses of 23 women photographers, at a moment in history when Iranian women are fighting for their rights with courage and determination. (more…)

What can we extract from the flow of life? The word ‘catch’ may mean, among other things, gathering a moving object as well as grasping, observing and understanding. It may also mean discovery or recognition. In the works of the exhibition, the world is in motion. They direct our attention to presence. (more…)

To what purpose, April, do you return again? Beauty is not enough. You can no longer quiet me with the redness Of little leaves opening stickily. I know what I know. The sun is hot on my neck as I observe The spikes of crocus… –Edna St. Vincent Millay (more…)

Thomas Erben Gallery is thrilled to present historically significant works from the ‘90s by British artist Oladélé Ajiboyé Bamgboyé. The lens-based artist (b. 1963, Odo-Eku, Nigeria) is part of a group of Nigerian/ British artists – including Rotimi Fani- Kayode, Yinka Shonibare, Chris Ofili and the theoretician Olu Oguibe – who made their mark in London during that decade. (more…)

After Laughter Comes Tears is an experimental exhibition dedicated to performance, and the second edition of the Mudam Performance Season launched in 2021. Conceived as a ‘performative exhibition’, After Laughter Comes Tears will feature the work of thirty-four artists working across the mediums of performance, installation and video. (more…)