Moderna Museet Malmö presents the fascinating and ground-breaking Swedish artist Hilma af Klint in a comprehensive exhibition, featuring among other works, the series The Ten Largest (more…)
Tim Eitel conveys a deep command of color, technique, and form in his figurative paintings inspired by his observations of contemporary life and art history.
He studied at the Hochschule für Grafik und Buchkunst in Leipzig from 1997 to 2001 and was a Meisterschüler (Master Student) of Professor Arno Rink from 2001 through 2003. He has received a number of prestigious awards throughout his career, including the Landesgraduiertenstipendium, Saxonia, Germany (2002) and the Marion Ermer Preis (2003). Cofounder of the collective Galerie LIGA in Berlin, he was one of the leading protagonists of the New Leipzig School before gaining a reputation as one of the most important painters of his generation.
He has participated in over fifty group exhibitions and twenty monographic exhibitions worldwide since 2000, including at the Museum zu Allerheiligen, Schaffhausen, Switzerland (2004); Saint Louis Art Museum, Missouri (2005); Kunsthalle Tübingen (2008); Rochester Art Center, Minnesota (2013); Essl Museum, Klosterneuburg, Austria (2013); Kasteel Wijlre, Netherlands (2018); Museum der bildenden Künste Leipzig, Germany (2019); and Daegu Art Museum, South Korea (2020). Eitel‘s work is held in numerous important collections, including the Albertina, Vienna; ARKEN Museum of Modern Art, Ishøj, Denmark; Daegu Art Museum, South Korea; Deutsche Bank Collection, Germany; Hamburger Bahnhof, Museum für Gegenwart, Berlin; Museum Frieder Burda, Baden-Baden; and the Rubell Family Collection, Miami.
Moderna Museet Malmö presents the fascinating and ground-breaking Swedish artist Hilma af Klint in a comprehensive exhibition, featuring among other works, the series The Ten Largest (more…)
The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability (more…)
“The real value of this expansion is not more space, but space that allows us to rethink the experience of art in the Museum.” –Glenn D. Lowry, The David Rockefeller Director (more…)
It is first of all necessary to identify the features of the discourses and the desires which have led us to this grim and demoralizing pass, where class has disappeared, but moralism is everywhere (more…)
Max Beckmann (1884–1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. (more…)
In the midst of chaos we hunt for dreams. It blends together. Their memories became my memories. Once-present. A personal story of search and encounters, of escape and returning.
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Allan Sekula was an American photographer, writer, critic and filmmaker. Born in Erie, Pennsylvania in 1951, he lived most of his life in Los Angeles and the surrounding regions of southern California.
After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.
In the late summer of 2016, I spent six weeks in the Inner Mongolia Autonomous Region where I documented the transformation of some of the most influential cities in the region: Ordos, Hohhot, and Baotou. While looking back on the images I had taken, I was unexpectedly reminded of post-war Italian cinema (more…)