Art Week Tokyo 2026 expands its activation of the city’s diverse array of museums and art spaces. New institutional highlights include Nam June Paik: The 20th Anniversary of His Passing at Watari-um…

Tim Eitel conveys a deep command of color, technique, and form in his figurative paintings inspired by his observations of contemporary life and art history.
He studied at the Hochschule für Grafik und Buchkunst in Leipzig from 1997 to 2001 and was a Meisterschüler (Master Student) of Professor Arno Rink from 2001 through 2003. He has received a number of prestigious awards throughout his career, including the Landesgraduiertenstipendium, Saxonia, Germany (2002) and the Marion Ermer Preis (2003). Cofounder of the collective Galerie LIGA in Berlin, he was one of the leading protagonists of the New Leipzig School before gaining a reputation as one of the most important painters of his generation.
He has participated in over fifty group exhibitions and twenty monographic exhibitions worldwide since 2000, including at the Museum zu Allerheiligen, Schaffhausen, Switzerland (2004); Saint Louis Art Museum, Missouri (2005); Kunsthalle Tübingen (2008); Rochester Art Center, Minnesota (2013); Essl Museum, Klosterneuburg, Austria (2013); Kasteel Wijlre, Netherlands (2018); Museum der bildenden Künste Leipzig, Germany (2019); and Daegu Art Museum, South Korea (2020). Eitel‘s work is held in numerous important collections, including the Albertina, Vienna; ARKEN Museum of Modern Art, Ishøj, Denmark; Daegu Art Museum, South Korea; Deutsche Bank Collection, Germany; Hamburger Bahnhof, Museum für Gegenwart, Berlin; Museum Frieder Burda, Baden-Baden; and the Rubell Family Collection, Miami.
Tim Eitel conveys a deep command of color, technique, and form in his figurative paintings inspired by his observations of contemporary life and art history.
He studied at the Hochschule für Grafik und Buchkunst in Leipzig from 1997 to 2001 and was a Meisterschüler (Master Student) of Professor Arno Rink from 2001 through 2003. He has received a number of prestigious awards throughout his career, including the Landesgraduiertenstipendium, Saxonia, Germany (2002) and the Marion Ermer Preis (2003). Cofounder of the collective Galerie LIGA in Berlin, he was one of the leading protagonists of the New Leipzig School before gaining a reputation as one of the most important painters of his generation.
He has participated in over fifty group exhibitions and twenty monographic exhibitions worldwide since 2000, including at the Museum zu Allerheiligen, Schaffhausen, Switzerland (2004); Saint Louis Art Museum, Missouri (2005); Kunsthalle Tübingen (2008); Rochester Art Center, Minnesota (2013); Essl Museum, Klosterneuburg, Austria (2013); Kasteel Wijlre, Netherlands (2018); Museum der bildenden Künste Leipzig, Germany (2019); and Daegu Art Museum, South Korea (2020). Eitel‘s work is held in numerous important collections, including the Albertina, Vienna; ARKEN Museum of Modern Art, Ishøj, Denmark; Daegu Art Museum, South Korea; Deutsche Bank Collection, Germany; Hamburger Bahnhof, Museum für Gegenwart, Berlin; Museum Frieder Burda, Baden-Baden; and the Rubell Family Collection, Miami.

Art Week Tokyo 2026 expands its activation of the city’s diverse array of museums and art spaces. New institutional highlights include Nam June Paik: The 20th Anniversary of His Passing at Watari-um…
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.
Wolf Tones presents the work of six artists as a refracted analogy of an acoustic phenomenon. The wolf tone is an irregular vibration produced by a musical instrument such as the cello. It is the result of an acoustic conflict produced by its wooden body.
The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
Throughout his prolific career, Marc Chagall (1887–1985) returned time and again to the vivid imagery of acrobats, clowns and fantastical performers. Marc Chagall: The Circus will present Chagall’s celebrated lithographs on this subject…
Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.